WEKO3
アイテム
{"_buckets": {"deposit": "3cb9a243-abc0-4c89-9d1c-735f968f16ac"}, "_deposit": {"created_by": 3, "id": "481", "owners": [3], "pid": {"revision_id": 0, "type": "depid", "value": "481"}, "status": "published"}, "_oai": {"id": "oai:rekihaku.repo.nii.ac.jp:00000481", "sets": ["63"]}, "author_link": ["1647", "1648"], "control_number": "481", "item_10002_biblio_info_7": {"attribute_name": "書誌情報", "attribute_value_mlt": [{"bibliographicIssueDates": {"bibliographicIssueDate": "1991-03-30", "bibliographicIssueDateType": "Issued"}, "bibliographicPageEnd": "106", "bibliographicPageStart": "73", "bibliographicVolumeNumber": "31", "bibliographic_titles": [{"bibliographic_title": "国立歴史民俗博物館研究報告", "bibliographic_titleLang": "ja"}, {"bibliographic_title": "Bulletin of the National Museum of Japanese History", "bibliographic_titleLang": "en"}]}]}, "item_10002_description_19": {"attribute_name": "フォーマット", "attribute_value_mlt": [{"subitem_description": "application/pdf", "subitem_description_type": "Other"}]}, "item_10002_description_5": {"attribute_name": "抄録", "attribute_value_mlt": [{"subitem_description": "The purpose of this paper is to investigate the mechanism and historical process of what the performer was expected to embody in a performance called Oh-no-Mai (King\u0027s Dance), which was discussed by me on several occasions in the past. In the paper, special attention is paid, in relation with Oh-no Mai to Sarutahiko, a deity with an extraordinary figure, and a performing action called Hohgatame, which represents ground-stamping to harden soil at four corners.\nAs regards Sarutahiko, Oh-no-Mai is perceived as the dramatization of Sarutahiko, and it can be pointed out that the performance was interpreted as representing “magical performance done for appeasing evil spirits along the way one proceeds.” As for the discourses that regard Oh-no-Mai as the performing art of Hohgatame, they are supposedly based on the local context that spins out conventional interpretations related with land cultivation or ground.\nBesides the above two points concerned with Oh-no-Mai, this paper tries to prove a historical relationship between Hohgatame as a magical performance and Oh-no-Mai. Also, through defining the circumstances of the performer producing interpretations mentioned above, the paper attempts identification of a context in which interpretations are defined. The attempt might be called politics of the interpretation about Oh-no-Mai.\nThe above points are analyzed not in a completely satisfactory manner in this paper due to the limitation of historical materials that can be obtained. They should have been addressed as clues to perceive the performing action of Oh-no Mai at its beginning of the performance. As a result of analysis, “performing arts as violence,” before they are embodied with any other interpretation, loom up as the original form to be described.", "subitem_description_type": "Abstract"}]}, "item_10002_identifier_registration": {"attribute_name": "ID登録", "attribute_value_mlt": [{"subitem_identifier_reg_text": "10.15024/00000464", "subitem_identifier_reg_type": "JaLC"}]}, "item_10002_publisher_8": {"attribute_name": "出版者", "attribute_value_mlt": [{"subitem_publisher": "国立歴史民俗博物館", "subitem_publisher_language": "ja"}]}, "item_10002_relation_17": {"attribute_name": "関連サイト", "attribute_value_mlt": [{"subitem_relation_name": [{"subitem_relation_name_text": "第31集 収録論文 タイトルリスト"}], "subitem_relation_type_id": {"subitem_relation_type_id_text": "https://www.rekihaku.ac.jp/outline/publication/ronbun/ronbun2/index.html#no31", "subitem_relation_type_select": "URI"}}]}, "item_10002_source_id_11": {"attribute_name": "書誌レコードID", "attribute_value_mlt": [{"subitem_source_identifier": "AN00377607", "subitem_source_identifier_type": "NCID"}]}, "item_10002_source_id_9": {"attribute_name": "ISSN", "attribute_value_mlt": [{"subitem_source_identifier": "0286-7400", "subitem_source_identifier_type": "PISSN"}]}, "item_10002_version_type_20": {"attribute_name": "著者版フラグ", "attribute_value_mlt": [{"subitem_version_resource": "http://purl.org/coar/version/c_970fb48d4fbd8a85", "subitem_version_type": "VoR"}]}, "item_creator": {"attribute_name": "著者", "attribute_type": "creator", "attribute_value_mlt": [{"creatorNames": [{"creatorName": "橋本, 裕之", "creatorNameLang": "ja"}, {"creatorName": "ハシモト, ヒロユキ", "creatorNameLang": "ja-Kana"}], "nameIdentifiers": [{"nameIdentifier": "1647", "nameIdentifierScheme": "WEKO"}]}, {"creatorNames": [{"creatorName": "Hashimoto, Hiroyuki", "creatorNameLang": "en"}], "nameIdentifiers": [{"nameIdentifier": "1648", "nameIdentifierScheme": "WEKO"}]}]}, "item_files": {"attribute_name": "ファイル情報", "attribute_type": "file", "attribute_value_mlt": [{"accessrole": "open_date", "date": [{"dateType": "Available", "dateValue": "2016-04-01"}], "displaytype": "detail", "download_preview_message": "", "file_order": 0, "filename": "kenkyuhokoku_031_04.pdf", "filesize": [{"value": "5.0 MB"}], "format": "application/pdf", "future_date_message": "", "is_thumbnail": false, "licensetype": "license_free", "mimetype": "application/pdf", "size": 5000000.0, "url": {"label": "kenkyuhokoku_031_04.pdf", "url": "https://rekihaku.repo.nii.ac.jp/record/481/files/kenkyuhokoku_031_04.pdf"}, "version_id": "40f207a2-1348-4600-a66f-530eb4e697c3"}]}, "item_language": {"attribute_name": "言語", "attribute_value_mlt": [{"subitem_language": "jpn"}]}, "item_resource_type": {"attribute_name": "資源タイプ", "attribute_value_mlt": [{"resourcetype": "departmental bulletin paper", "resourceuri": "http://purl.org/coar/resource_type/c_6501"}]}, "item_title": "王の舞の解釈学", "item_titles": {"attribute_name": "タイトル", "attribute_value_mlt": [{"subitem_title": "王の舞の解釈学", "subitem_title_language": "ja"}, {"subitem_title": "Interpretation of Oh-no-Mai (King\u0027s Dance)", "subitem_title_language": "en"}]}, "item_type_id": "10002", "owner": "3", "path": ["63"], "permalink_uri": "https://doi.org/10.15024/00000464", "pubdate": {"attribute_name": "PubDate", "attribute_value": "2016-04-01"}, "publish_date": "2016-04-01", "publish_status": "0", "recid": "481", "relation": {}, "relation_version_is_last": true, "title": ["王の舞の解釈学"], "weko_shared_id": -1}
王の舞の解釈学
https://doi.org/10.15024/00000464
https://doi.org/10.15024/00000464ace5975c-dccf-4825-8916-52c5ff8b77b2
名前 / ファイル | ライセンス | アクション |
---|---|---|
kenkyuhokoku_031_04.pdf (5.0 MB)
|
|
Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
---|---|---|---|---|---|---|
公開日 | 2016-04-01 | |||||
タイトル | ||||||
言語 | ja | |||||
タイトル | 王の舞の解釈学 | |||||
タイトル | ||||||
言語 | en | |||||
タイトル | Interpretation of Oh-no-Mai (King's Dance) | |||||
言語 | ||||||
言語 | jpn | |||||
資源タイプ | ||||||
資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
資源タイプ | departmental bulletin paper | |||||
ID登録 | ||||||
ID登録 | 10.15024/00000464 | |||||
ID登録タイプ | JaLC | |||||
著者 |
橋本, 裕之
× 橋本, 裕之× Hashimoto, Hiroyuki |
|||||
抄録 | ||||||
内容記述タイプ | Abstract | |||||
内容記述 | The purpose of this paper is to investigate the mechanism and historical process of what the performer was expected to embody in a performance called Oh-no-Mai (King's Dance), which was discussed by me on several occasions in the past. In the paper, special attention is paid, in relation with Oh-no Mai to Sarutahiko, a deity with an extraordinary figure, and a performing action called Hohgatame, which represents ground-stamping to harden soil at four corners. As regards Sarutahiko, Oh-no-Mai is perceived as the dramatization of Sarutahiko, and it can be pointed out that the performance was interpreted as representing “magical performance done for appeasing evil spirits along the way one proceeds.” As for the discourses that regard Oh-no-Mai as the performing art of Hohgatame, they are supposedly based on the local context that spins out conventional interpretations related with land cultivation or ground. Besides the above two points concerned with Oh-no-Mai, this paper tries to prove a historical relationship between Hohgatame as a magical performance and Oh-no-Mai. Also, through defining the circumstances of the performer producing interpretations mentioned above, the paper attempts identification of a context in which interpretations are defined. The attempt might be called politics of the interpretation about Oh-no-Mai. The above points are analyzed not in a completely satisfactory manner in this paper due to the limitation of historical materials that can be obtained. They should have been addressed as clues to perceive the performing action of Oh-no Mai at its beginning of the performance. As a result of analysis, “performing arts as violence,” before they are embodied with any other interpretation, loom up as the original form to be described. |
|||||
書誌情報 |
ja : 国立歴史民俗博物館研究報告 en : Bulletin of the National Museum of Japanese History 巻 31, p. 73-106, 発行日 1991-03-30 |
|||||
出版者 | ||||||
言語 | ja | |||||
出版者 | 国立歴史民俗博物館 | |||||
ISSN | ||||||
収録物識別子タイプ | PISSN | |||||
収録物識別子 | 0286-7400 | |||||
書誌レコードID | ||||||
収録物識別子タイプ | NCID | |||||
収録物識別子 | AN00377607 | |||||
関連サイト | ||||||
識別子タイプ | URI | |||||
関連識別子 | https://www.rekihaku.ac.jp/outline/publication/ronbun/ronbun2/index.html#no31 | |||||
関連名称 | 第31集 収録論文 タイトルリスト | |||||
フォーマット | ||||||
内容記述タイプ | Other | |||||
内容記述 | application/pdf | |||||
著者版フラグ | ||||||
出版タイプ | VoR | |||||
出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 |