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工芸品消費の文化的諸相と百貨店 : 民芸運動とその周辺から
https://doi.org/10.15024/00002244
https://doi.org/10.15024/000022441389ed70-ab52-4ff1-a6e2-eb6a2325951a
名前 / ファイル | ライセンス | アクション |
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kenkyuhokoku_197_11.pdf (4.6 MB)
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Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
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公開日 | 2017-03-31 | |||||
タイトル | ||||||
言語 | ja | |||||
タイトル | 工芸品消費の文化的諸相と百貨店 : 民芸運動とその周辺から | |||||
タイトル | ||||||
言語 | en | |||||
タイトル | Cultural Changes in the Consumption of Crafts and Their Relationships with Department Stores : A Case Study of the Folk Crafts Movement and Related Matters | |||||
言語 | ||||||
言語 | jpn | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | 民芸運動 | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | 展覧会 | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | 百貨店美術部 | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | 文化的消費 | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | 手工芸 | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | The folk crafts movement | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | exhibition | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | the art sections of department stores | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | cultural consumption | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | handicrafts | |||||
資源タイプ | ||||||
資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
資源タイプ | departmental bulletin paper | |||||
ID登録 | ||||||
ID登録 | 10.15024/00002244 | |||||
ID登録タイプ | JaLC | |||||
著者 |
濱田, 琢司
× 濱田, 琢司× Hamada, Takuji |
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抄録 | ||||||
内容記述タイプ | Abstract | |||||
内容記述 | 明治時代から大正初期にかけて,百貨店は,多くの新たな流行を作り出す,「尖端的」な場であった。百貨店は,高い文化的価値を持つ空間だったのである。そうした価値の生成・維持のために,百貨店が活用したことの1つに,美術があった。日本に美術館が定着するよりも早く,いくつもの美術展覧会が百貨店で開催された。このことは,百貨店の文化的価値を高める要因の1つとなったのである。一方,大正時代中期から昭和初期になると,美術に関するいくつかの新興の団体が,展覧会の会場として百貨店を活用することを通して,団体の知名度と権威を高めていった。本論では,民芸運動という,大正末期に発生した工芸についての新興の文化運動を事例に,この運動のメンバーが百貨店をどのように活用していたのかを検討することで,近代日本における工芸(とくに手工芸)の文化的消費と百貨店との関係を考察する。その際に民芸運動が持つ2つの側面と百貨店との関わりをそれぞれ検討する。2つの側面とは,民芸運動メンバーの芸術家としての活動と民芸運動の啓蒙活動としての側面とである。前者については,明治後半に百貨店に設置された美術部との関わりを,美術部の草創期から重要な役割を担った1人である富本憲吉や,濱田庄司ら運動同人の個人作家らを事例に検討する。また後者については,民芸運動を推進する団体である民芸協会が主催した,1920年代の後半から30年代にかけての展覧会を取り上げて,百貨店との関わり等について検討する。それによって,1つには,新興の文化運動の一事例としての民芸運動が,どのように百貨店を捉え,活用しようとしていったのか,もう1つには,工芸という付加価値商品の百貨店を通しての(広い意味での)文化的消費の有り様がどうであったのかということの一端とを明らかにする。 | |||||
抄録 | ||||||
内容記述タイプ | Abstract | |||||
内容記述 | From the Meiji period to the early Taishō period (from the late 19th to the early 20th century), department stores were extremely fashion-forward, creating new trends one after another. These stores were a place of high cultural values. They utilized art as a means to keep their status. A number of art exhibitions were organized by department stores before museums were established in Japan. This was one of the factors to boost the cultural value of department stores. From the mid-Taishō to the early Shōwa period (from the early to mid-20th century), some emerging art-related organizations used department stores as venues for exhibitions to raise their recognition and reputation. This paper presents case studies of the Folk Crafts Movements that emerged as one of cultural movements at the end of the Taishō period. In particular, this paper examines how the members of these movements used department stores in order to reveal the relationships between department stores and the cultural consumption of crafts (especially handicrafts) in modern Japan. The analysis of the relationships especially focuses on the following two aspects of folk handicraft movements: (i) the activities of artists as members of the movements and (ii) the enlightenment activities of the movements. The former aspect is analyzed through a case study of the connections between the artists and the art sections established at department stores around the 1900s. The case study takes a close look at Kenkichi Tomimoto, an artist who played an important role in the art sections from their beginning, and individual artists who joined the movements, such as Shōji Hamada. Meanwhile, the latter aspect is analyzed through a case study of exhibitions held by Mingei Kyōkai, a folk craft association involved in the movement, and its relationships with department stores in the late 1920s to the 1930s. Through these analyses, this paper reveals the following two points: (i) how the Folk Crafts Movement, as one of emerging cultural movements, saw and used department stores; and (ii) how crafts (value-added products) were consumed through department stores (patterns of “cultural” consumption in a wider sense). | |||||
内容記述 | ||||||
内容記述タイプ | Other | |||||
内容記述 | 一部非公開情報あり | |||||
書誌情報 |
ja : 国立歴史民俗博物館研究報告 en : Bulletin of the National Museum of Japanese History 巻 197, p. 265-294, 発行日 2016-02-29 |
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出版者 | ||||||
言語 | ja | |||||
出版者 | 国立歴史民俗博物館 | |||||
ISSN | ||||||
収録物識別子タイプ | PISSN | |||||
収録物識別子 | 0286-7400 | |||||
書誌レコードID | ||||||
収録物識別子タイプ | NCID | |||||
収録物識別子 | AN00377607 | |||||
関連サイト | ||||||
識別子タイプ | URI | |||||
関連識別子 | https://www.rekihaku.ac.jp/outline/publication/ronbun/ronbun8/index.html#no197 | |||||
関連名称 | 第197集 収録論文 タイトルリスト | |||||
フォーマット | ||||||
内容記述タイプ | Other | |||||
内容記述 | application/pdf | |||||
著者版フラグ | ||||||
出版タイプ | VoR | |||||
出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||
見出し | ||||||
大見出し | [共同研究] 歴史表象の形成と消費文化 | |||||
言語 | ja | |||||
見出し | ||||||
大見出し | [Collaborative Research] Consumption Culture and Invention of Tradition | |||||
言語 | en |