@article{oai:rekihaku.repo.nii.ac.jp:00001036,
 author = {森村, 健一 and Morimura, Kenichi},
 journal = {国立歴史民俗博物館研究報告, Bulletin of the National Museum of Japanese History},
 month = {Mar},
 note = {application/pdf, 近世陶磁器の萌芽期は1585年前後であり，その確立期は1598～1615年である。この時期，大きな影響を与えたのが，東南アジアの陶磁器である。それらは，首里城跡（1459年大火），中世大友城下町跡（1586年，島津侵攻大火），フィリピン・サンディエゴ号沈没船（1600年12月14日），ビッティ・レウ号沈没船（1613年）を基準資料とし，年代観が与えられる。また，生産窯も近年の発掘調査研究によって判明しつつある。
東南アジア陶磁器には，本来は香花酒，硝石を入れていたと言われるタイ・ノイ川窯系四耳壺，砂糖を入れていたと思われるベトナム・ミースエン・フックティク窯跡の長胴壺等があるが，日本に輸入されると転用された。中でも重要なのは，日本文化の総合である茶の湯に使用された事である。南蛮，茶壺，切溜花入（きりだめはないれ），〆切建水（めきりけんすい），綜（ちまき），内渋水指（うちしぶみすさし）と呼ばれた茶陶が，堺において16世紀後半～1615年大火の茶室等から一括出土している。他方，当初から茶の湯に使用する目的で輸入したものもある。「宋胡録（すんころく）」と呼ばれたタイ・シ・サッチャナライ窯系鉄絵香合，ベトナム白磁碗である。
日常食器ともてなし用の組物，ケ・ハレ用の組物，茶の湯に関する茶陶と懐石料理の組物が近世陶磁器の確立へと走らせた。茶陶には一点主義が見られ，明らかに使用者の選択・個性化が知られる。茶陶システムの確立は，陶磁器の種類・器種・数量において多様性，多量化が見られ，日常食器にプラスして出土することから，16世紀後半～17世紀初頭にあっては爆発的増加を示している。この時期は東南アジア貿易が特徴であり，東南アジア陶磁器は近世茶の湯システムの確立過程と連動しているのである。それらを動かした人々は経済的中間層の都市民であり，そういう意味でも，茶の湯を使った経済人としての「もてなし」，茶人としての「ステイタス」「個性化」が近世茶の湯システムと近世陶磁器を成立させたと言っても過言ではない。, Recent excavation researches are about to clarify the kilns used for the production of Southeast Asian ceramics.
The chronological perspective is according to the following standards: the remains of Shuri Castle (destroyed by the conflagration in 1459); remains of the castle town of the medieval Otomo Castle (destroyed by the conflagration due to the invasion of the Shimazu Clan in 1586); the San Diego of the Philippines, a ship (sunken on December 14, 1600); and the Witte Leeuw, a ship (sunken in 1613).
For Southeast Asian ceramics were used as containers for imported products, there are the following theories: that the four-ear pots of the Mae Nam Noi Pottery type in Thailand were used for fragrant-flower liquor; that they were used for saltpeter; and that the long pots of My Xuyen Pottery of Vietnam were used for sugar container.
It is certain that those Southeast Asian ceramics used as containers were diverted after they were imported. Among them, the most important thing is that they were used for tea ceremony, the integrated art of Japanese culture.
Chato, (茶陶 tea ceramics), known by the names of nanban, chatsubo, kiridame-hanaire, mekiri-kennsui, chimaki, and uchishibu-mizusashi, were excavated in Sakai in a lump from the tea-ceremony room and others of the period from the latter half of the sixteenth century to the 1615 Conflagration.
Some Southeast Asian ceramics were imported for tea ceremony from the first. Underglaze Iron Kōgo (鉄絵香合) of the Si Satchanalai Pottery type in Thailand, which used to be called ‟Sunkoroku (宋胡録),” and bowls of Vietnamese white porcelain.
The tableware for daily use combined with the ware for guests, the ceremonial ware combined with ordinary ware, and the tea ceramics involved in the tea ceremony combined with a set for kaiseki-ryori (懐石料理 teaceremony Japanese dishes), contributed to the establishment of early-modern ceramics. Each tea ceramic was made different, clearly reflecting individual choice and style. As the system of tea ceramics was established, tea ceramics varied and expanded in kind, type, and quantity. The fact they were excavated together with tableware for daily use suggests that there was an explosive increase during the period from the latter half of the sixteenth century to early seventeenth century. The trade with Southeast Asia characterizes this period of time, and Southeast Asian ceramics are related to the establishment process of the early-modern tea ceremony. Those who actually traded them were the city people who belonged to the middle economic class. It is no exaggeration to say that their manner of “treating” guests as an economic expert by using the tea ceremony, and the “status” or the “personalstyle” as chajin (茶人 a master of Cha-no-yu) has established the system of the early-modern tea ceremony as well as early-modern ceramics.
Aspects of early-modern ceramics
1) Generalization of tea ceramics 2) Establishment of the nationwide distribution system 3) Multiple kinds and styles 4) Potteries for mass production and those for multinational production 5) Increased in volume 6) Antiques 7) Selected by individual style → each article was made different 8) Custom-made production to order from chajin 9) The set of ware
Signs of the early-modern ceramics were already apparent around 1585, and it was estab lished between 1598 and 1615, in other words, during the period of a governmental vacuum in Japan. Besides, Southeast Asian ceramics would also serve as important archaeological materials to clarify the transition of the trade system during the period from fifteenth to seventeenth centuries.},
 pages = {251--296},
 title = {15～17世紀における東南アジア陶磁器からみた陶磁の日本文化史 : 堺環濠都市遺跡出土遺物を中心として（Ⅲ. 貿易陶磁と在来陶磁）},
 volume = {94},
 year = {2002},
 yomi = {モリムラ, ケンイチ}
}