{"created":"2023-05-15T14:46:15.728842+00:00","id":1175,"links":{},"metadata":{"_buckets":{"deposit":"6d3a767c-1b3c-4a6b-809b-10418f9cd639"},"_deposit":{"created_by":3,"id":"1175","owners":[3],"pid":{"revision_id":0,"type":"depid","value":"1175"},"status":"published"},"_oai":{"id":"oai:rekihaku.repo.nii.ac.jp:00001175","sets":["21:134"]},"author_link":["3061","3062"],"control_number":"1175","item_10002_biblio_info_7":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2003-10-31","bibliographicIssueDateType":"Issued"},"bibliographicPageEnd":"574","bibliographicPageStart":"563","bibliographicVolumeNumber":"108","bibliographic_titles":[{"bibliographic_title":"国立歴史民俗博物館研究報告","bibliographic_titleLang":"ja"},{"bibliographic_title":"Bulletin of the National Museum of Japanese History","bibliographic_titleLang":"en"}]}]},"item_10002_description_19":{"attribute_name":"フォーマット","attribute_value_mlt":[{"subitem_description":"application/pdf","subitem_description_type":"Other"}]},"item_10002_description_5":{"attribute_name":"抄録","attribute_value_mlt":[{"subitem_description":"本稿は，映像を資料として集積し，研究に活用するためにはどのようなことが必要であるのかについて，国立歴史民俗博物館（以下「歴博」と略す）で制作されてきた「民俗研究映像」と「民俗文化財映像資料」を例に，現状と課題について述べたものである。\nはじめに，欧米の民族学的映像アーカイブの概略を記し，映像を用いた民族学研究においては，撮影された映像の集積方法が，映像をどのように撮影・編集するかという問題とともに重要な問題とされていることを述べた。\n次に，歴博制作の「民俗研究映像」と「民俗文化財映像資料」について，それらの映像の基本的な性格について述べ，ついで，民俗研究映像をとりあげて，映像制作の過程を示す資料を映像とともに残しておくことの重要性について述べた。「ありのまま」に撮りたいという制作者側の「作為」を通して撮られた映像を，「ありのまま」と見做すことは，本質的に再現的（representative）であるという映像の特質から，不可能であると言える。制作者側の作為については，可能な限り，映像制作過程を示す記録として，映像とともに残し，映像を，もとのコンテクストの中で追検証できるようにしておくことが必要である。\n最後に，歴博で現在試みられている，「民俗研究映像」のデジタルアーカイブ化について言及した。歴博の民俗研究映像の制作では，撮影や編集については，制作を担当した研究者それぞれが工夫を凝らし，様々な試みを行ってきたが，立ち遅れているのは，撮影された映像を資料としてどのように集積し，どのように研究に活用できるのか，という領域の研究である。残された映像の資料化と，それを再活用（分析・再編集・被撮影者へのフィードバックなど）することでどのような学問的可能性が開かれるのかということについては，歴博においては未着手の領域であり，民俗研究映像のデジタルアーカイブ化は，この領域の研究を進めるためのひとつの実験である。","subitem_description_type":"Abstract"},{"subitem_description":"This paper discusses current practices and issues regarding requirements for collecting film as data and utilizing these data in research, using the \"Audio-Visual Materials for Folklore Studies\" and \"Audio-Visual Materials of Folk Cultural Properties\" produced by the National Museum of Japanese History (hereafter called Rekihaku) as examples.\nFirst of all, an outline on ethnological film archives in Europe and the United States is presented. This examines the issue of how to take and edit film when using film for ethnological research, along with the other important issue of methods for collecting and archiving film that has been taken.\nNext, the discussion turns to the fundamental character of film used in Rekihaku's \"Audio-Visual Materials for Folklore Studies\" and \"Audio-Visual Materials of Folk Cultural Properties\". This is followed by an examination of the importance of leaving behind information showing the process by which a film has been made, as well as the film itself, in relation to folklore research film. Although when producing a film there is a desire on the maker's side to film things \"just as they are\", the essentially representative nature of film means that it is impossible to regard film made through a \"process\" on the maker's side\" as showing things \"just as they are\". The process followed on the maker's side must, to the greatest extent possible, be left behind together with the film as a record showing the process adopted for making the film so that it is possible to continually validate the film in its original context.\nLastly, the paper refers to the digitization of archives of \"Audio-Visual Materials for Folklore Studies\" currently being undertaken at Rekihaku. When producing \"Audio-Visual Materials for Folklore Studies\" at Rekihaku, filming and editing have been subject to various experiments as the researchers in charge of production have adopted their own ingenious methods. However, one area where research is lagging behind is that which studies how film should be collected and archived as data and how these data can be utilized for research. The question of what kinds of academic possibilities may arise as a result of turning film left behind into material and reusing it (analysis, re-editing, feedback to film subjects) is one area of research that has yet to be embarked upon at Rekihaku, though the digitization of archives for \"Audio-Visual Materials for Folklore Studies\" is one experiment aimed at promoting research in this area.","subitem_description_type":"Abstract"}]},"item_10002_heading_23":{"attribute_name":"見出し","attribute_value_mlt":[{"subitem_heading_banner_headline":"開館20周年記念論文集","subitem_heading_language":"ja"},{"subitem_heading_banner_headline":"Special Issue for the 20th Anniversary of National Museum of Japanese History","subitem_heading_language":"en"}]},"item_10002_identifier_registration":{"attribute_name":"ID登録","attribute_value_mlt":[{"subitem_identifier_reg_text":"10.15024/00001158","subitem_identifier_reg_type":"JaLC"}]},"item_10002_publisher_8":{"attribute_name":"出版者","attribute_value_mlt":[{"subitem_publisher":"国立歴史民俗博物館","subitem_publisher_language":"ja"}]},"item_10002_relation_17":{"attribute_name":"関連サイト","attribute_value_mlt":[{"subitem_relation_name":[{"subitem_relation_name_text":"第108集 収録論文 タイトルリスト"}],"subitem_relation_type_id":{"subitem_relation_type_id_text":"https://www.rekihaku.ac.jp/outline/publication/ronbun/ronbun5/index.html#no108","subitem_relation_type_select":"URI"}}]},"item_10002_source_id_11":{"attribute_name":"書誌レコードID","attribute_value_mlt":[{"subitem_source_identifier":"AN00377607","subitem_source_identifier_type":"NCID"}]},"item_10002_source_id_9":{"attribute_name":"ISSN","attribute_value_mlt":[{"subitem_source_identifier":"0286-7400","subitem_source_identifier_type":"PISSN"}]},"item_10002_version_type_20":{"attribute_name":"著者版フラグ","attribute_value_mlt":[{"subitem_version_resource":"http://purl.org/coar/version/c_970fb48d4fbd8a85","subitem_version_type":"VoR"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"内田, 順子","creatorNameLang":"ja"},{"creatorName":"ウチダ, ジュンコ","creatorNameLang":"ja-Kana"}],"nameIdentifiers":[{}]},{"creatorNames":[{"creatorName":"Uchida, Junko","creatorNameLang":"en"}],"nameIdentifiers":[{}]}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_date","date":[{"dateType":"Available","dateValue":"2016-04-01"}],"displaytype":"detail","filename":"kenkyuhokoku_108_24.pdf","filesize":[{"value":"633.8 kB"}],"format":"application/pdf","licensetype":"license_note","mimetype":"application/pdf","url":{"label":"kenkyuhokoku_108_24.pdf","url":"https://rekihaku.repo.nii.ac.jp/record/1175/files/kenkyuhokoku_108_24.pdf"},"version_id":"3fda9ee6-f92b-4ef2-8b53-ffac448681a4"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"「民俗研究映像」の現状と課題","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"「民俗研究映像」の現状と課題","subitem_title_language":"ja"},{"subitem_title":"Current Practices and Issues in “Audio-Visual Materials for Folklore Studies”","subitem_title_language":"en"}]},"item_type_id":"10002","owner":"3","path":["134"],"pubdate":{"attribute_name":"PubDate","attribute_value":"2016-04-01"},"publish_date":"2016-04-01","publish_status":"0","recid":"1175","relation_version_is_last":true,"title":["「民俗研究映像」の現状と課題"],"weko_creator_id":"3","weko_shared_id":-1},"updated":"2023-08-31T02:18:14.362765+00:00"}