@article{oai:rekihaku.repo.nii.ac.jp:00001260,
 author = {福原, 敏男 and Fukuhara, Toshio},
 journal = {国立歴史民俗博物館研究報告, Bulletin of the National Museum of Japanese History},
 month = {Feb},
 note = {application/pdf, 鹿児島県薩摩地方における民俗芸能について、分布上特徴的であるのは太鼓踊りである。姿形、踊りの隊形、踊り手が背負う装飾、踊る時期など、多種多様かつ複雑である。大局的にみると、姿形や踊りの形式は、西日本各地の風流系太鼓踊りと共通している。芸能史的には、京都周辺において「歌謡が未発達で囃子詞中心の拍物（はやしもの）」から、「長編の物語歌や組歌形式の小歌をうたう風流踊り（太鼓踊り）」へ発達したものと考えられている。薩摩地方における太鼓踊りの特色は、先学諸氏が指摘しているように、諏訪（南方（みなかた））神社への奉納太鼓踊りに顕著にみられる。薩摩地方における諸諏訪神社の太鼓踊りの伝播と定着に大きな影響を与えたのが、鹿児島城下諏訪神社への太鼓踊り奉納であろう。
本稿は近世後期の鹿児島城下諏訪神社祭礼において、近郷百姓による太鼓踊りがどのように奉納されたかについて検討するために、『薩摩国諏訪社祭礼練物図』（東京国立博物館蔵）を紹介する。これは、七月の御射山祭礼において、谷山や桜島をはじめとする鹿児島近郊の村落が、十数日にわたって次々と太鼓踊りを諏訪神社や周辺の寺に奉納した百姓踊りを描いたものである。すでに伝承は途絶えて久しいが、従来この踊りの画像資料としては『倭文麻環』と『薩摩風土記』所載図が知られている。本稿においてはこれに加えて、『薩摩国諏訪社祭礼練物図』を検討した結果、能などの趣向の練物が太鼓踊りを先導したことを指摘した。また、大太鼓が詳細に描かれており、伊集院町徳重の妙円寺詣における太鼓と酷似していることから、徳重と同様に、音を聞くよりも「巨大さを見る太鼓踊り」であったと思われること、同祭礼の太鼓踊りは大太鼓と矢旗（踊り手が背負う装飾）の「形象の風流」を楽しむものであったと結論づけた。, One feature of the distribution of folk entertainment in the Satsuma region of Kagoshima Prefecture is the drum dance (taiko-odori), for which there is a complex and diverse range in terms of form, dance formation, the banners carried by the dancers, and the times of year these dances take place, etc. In a broad sense, the form and dance formation of these drum dances are similar to drum dances performed in the various regions of western Japan. Viewed from the perspective of the history of entertainment, it is believed that they developed from “drumming based on meaningless words in a song used for rhythm (hayashi-kotoba) that preceded folk songs” found in central regions to “drum dances in which songs from epic tales or short songs in the kumi-uta style were sung”. As has been pointed out by previous researchers, one characteristic of the drum dance in the Satsuma region is the drum dance of dedication to the Suwa (Minakata) Jinja shrine. It is believed that the origin of the drum dances of the various Suwa shrines in Satsuma lies with this drum dance that is a dedication to the Kagoshima Joka Suwa Jinja shrine. Of course, not all the drum dances of the various Suwa shrines can be said to have been directly inherited from the Joka Suwa Jinja shrine festival, and it is believed that in addition to the foundation of folk customs in the countryside which accepted the drum dance, the drum dances of today were introduced some time from the end of the Middle Ages through the Early Modern Period.
This paper introduces the “Picture of the Suwa Jinja Shrine Festival Procession in Satsuma Province” (Satsuma Kuni Suwa Jinja Saishi Nerimono Zu) held in the collection of the Tokyo National Museum for the purpose of examining how the drum dances of the countryside were dedicated at the festivals of the Kagoshima Joka Suwa Jinja Shrine during the latter part of the Early Modern Period. In other words, as part of the July festivals villages in the outskirts of Kagoshima such as Taniyama and Sakura-jima used to dedicate a succession of drum dances performed over a period of more than ten days, and which were called hyakusho-odori, to Suwa Jinja shrines and surrounding temples. Although the passing on of this custom ceased a long time ago, researchers have been aware in the past of two types of materials dating from the latter part of the Early Modern Period that provide pictures of this dance, which they have used in their research. By combining this research and the findings of my study of the “Picture of the Suwa Jinja Shrine Festival Procession in Satsuma Province” I suggest that processions with a Noh-type theme took the lead in these drum dances. Large drums are drawn in detail and due to the striking resemblance to the drums used in folk entertainment from Tokushige in Ijuin-cho, we may conclude that like the Tokushige drums they produced hardly any sound and were “drum dances for viewing the enormity of their size” and that the drum dances were for enjoying the “refinement of form” of the large drums and banners.},
 pages = {65--88},
 title = {鹿児島城下諏訪神社祭礼の練物風流と太鼓踊り},
 volume = {114},
 year = {2004},
 yomi = {フクハラ, トシオ}
}