{"created":"2023-05-15T14:46:19.567695+00:00","id":1262,"links":{},"metadata":{"_buckets":{"deposit":"6679394c-29ad-4d30-86f5-5df2d2d6fd2d"},"_deposit":{"created_by":3,"id":"1262","owners":[3],"pid":{"revision_id":0,"type":"depid","value":"1262"},"status":"published"},"_oai":{"id":"oai:rekihaku.repo.nii.ac.jp:00001262","sets":["21:140"]},"author_link":["3231","3232"],"control_number":"1262","item_10002_biblio_info_7":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2004-02-27","bibliographicIssueDateType":"Issued"},"bibliographicPageEnd":"128","bibliographicPageStart":"105","bibliographicVolumeNumber":"114","bibliographic_titles":[{"bibliographic_title":"国立歴史民俗博物館研究報告","bibliographic_titleLang":"ja"},{"bibliographic_title":"Bulletin of the National Museum of Japanese History","bibliographic_titleLang":"en"}]}]},"item_10002_description_19":{"attribute_name":"フォーマット","attribute_value_mlt":[{"subitem_description":"application/pdf","subitem_description_type":"Other"}]},"item_10002_description_5":{"attribute_name":"抄録","attribute_value_mlt":[{"subitem_description":"メトロポリタン美術館に所蔵される「四季竹図屏風」は中世大和絵屏風として早くからその存在が知られていたが、その表現構造を主題とした考察はいまだになされていない。小論はこの問題を中心に竹を描く伝統、四季と竹林というテーマ、そこに盛られた趣向について考察し、さらに当時の文化的背景を勘案して、その制作背景について推定した。\n竹を描く伝統は飛鳥時代まで遡れるが、十四世紀以前の絵巻に描かれた竹を収集・分析することにより、中国的文人の表象というイメージを保持しながら徐々に親密なモティーフとなっていったことを推定した。また中国の発達した竹画の流入と日本における竹林の造成の進展という二つの要因を踏まえて、十四世紀半ば頃には大画面の竹画制作の存在した可能性を指摘した。次に当屏風と「四季墨竹図」との類縁性、及び李衎著『竹譜詳録』の筍などの描写の類似性から当作品における中国画の受容の様相を具体的に指摘し、一方「四季花木図屏風」との類似から大和絵の伝統の継承についても指摘した。また当作品の反復する七本の竹に七賢のコノテーションが意図されていることを述べ、同時にそれが連歌やたて花という当時の和様文化において存在したことを挙げた。次に「芦屋釜下絵図巻」中の「四季竹図」との造形的比較から、当作品が土佐光信の手になる可能性が高いことを指摘した。以上の諸点から当屏風が和漢の絵画表現を主体的に解釈・受容して制作されたことを挙げ、その作者として宮廷絵所職及び武家の御用を長く務めた光信こそ相応しいことを推定した。さらに七賢のコノテーションを生成・享受した環境として宗祇の連歌サークルを挙げ、光信がそこに属していたことを指摘し、上述の推定を補強した。最後に当屏風の温和な画風、多義的な趣向、四季表現の必然性が、屏風の用途及び唐物やつくり物、たて花と屏風が共存／競合する文化的環境から醸成されたのではないかという解釈を示した。","subitem_description_type":"Abstract"},{"subitem_description":"The existence of the “Folding Screen with Pictures of Bamboo in Four Seasons” (Shiki Chiku Zu Byobu) held in the collection of the Metropolitan Museum of Art as a screen of the Yamato-e style from the Middle Ages has been known for a long time. However, as yet there has not been a study on the subject of the structure of its expression. This paper looks at the tradition of painting bamboo, the four seasons and bamboo forests while focusing on the structure of its expression, studies the themes they contain and uncovers the background to their creation by also taking into consideration the cultural background of that time.\nThe tradition of painting bamboo dates back to the Asuka Period (552-646). By gathering together samples and studying bamboo depicted in picture scrolls that pre-date the 14th century, we find that they gradually became a familiar motif while preserving their image as a symbol of Chinese-style literati. Taking into account the two factors of the introduction to Japan of bamboo paintings that had been cultivated in China and advances in the establishment of bamboo forests in Japan, it is possible that by the middle of the 14th century the production of large bamboo paintings existed. Next, from the relation between this folding screen and “Shiki Boku Chiku Zu” (Ink Painting of Bamboo in the Four Seasons) and its relation with the depiction of bamboo shoots in LiKan's(李衎) “Chikufu Shouroku”, I point to specific aspects of the acceptance of Chinese paintings in the screen. Also, due to its similarity with the “Shiki Kaboku Zu Byobu” (Folding Screen with Pictures of Flora in the Four Seasons) I draw attention to the inheritance of the tradition of Yamato-e. I note that the repeated use in this work of seven bamboos implies the seven sages of the Chinese tradition and explain that this existed in elements of Japanese culture of the day such as Renga (linked verse) and tate-hana at the same time. Next, following a structural comparison between the folding screen and the “Shiki Chiku Zu” (“Picture of Bamboo in the Four Seasons”) contained in the “Ashiyakama Shitae Zukan” (Picture Scroll of Ashiyakama Shitae) I suggest that there is a high possibility that Tosa Mitsunobu is the creator of the screen. Taking the above points into account, I show that the folding screen was produced on the basis of an active interpretation and acceptance of expression found in Chinese and Japanese paintings and suggest that Tosa Mitsunobu, who was a court painter and also worked in the service of warriors for many years, fits well as the screen's creator. I show that Sogi's Renga circle was the setting for the genesis of the reference to the seven sages and that Mitsunobu did belong to that circle, thus providing further support for the above contention. Lastly, I suggest that the gentle style of painting, multiple themes and the necessity of expressing the four seasons in the folding screen can be interpreted as having been brought about by the cultural environment in which the use of screens, Chinese objects, fabricated objects, tate-hana and screens coexisted and competed with each other.","subitem_description_type":"Abstract"}]},"item_10002_description_6":{"attribute_name":"内容記述","attribute_value_mlt":[{"subitem_description":"一部非公開情報あり","subitem_description_type":"Other"}]},"item_10002_heading_23":{"attribute_name":"見出し","attribute_value_mlt":[{"subitem_heading_banner_headline":"[共同研究] 「つくり物」の総合的研究","subitem_heading_language":"ja"},{"subitem_heading_banner_headline":"[Collaborative Research] General Studies on “Tsukurimono”","subitem_heading_language":"en"}]},"item_10002_identifier_registration":{"attribute_name":"ID登録","attribute_value_mlt":[{"subitem_identifier_reg_text":"10.15024/00001245","subitem_identifier_reg_type":"JaLC"}]},"item_10002_publisher_8":{"attribute_name":"出版者","attribute_value_mlt":[{"subitem_publisher":"国立歴史民俗博物館","subitem_publisher_language":"ja"}]},"item_10002_relation_17":{"attribute_name":"関連サイト","attribute_value_mlt":[{"subitem_relation_name":[{"subitem_relation_name_text":"第114集 収録論文 タイトルリスト"}],"subitem_relation_type_id":{"subitem_relation_type_id_text":"https://www.rekihaku.ac.jp/outline/publication/ronbun/ronbun5/index.html#no114","subitem_relation_type_select":"URI"}}]},"item_10002_source_id_11":{"attribute_name":"書誌レコードID","attribute_value_mlt":[{"subitem_source_identifier":"AN00377607","subitem_source_identifier_type":"NCID"}]},"item_10002_source_id_9":{"attribute_name":"ISSN","attribute_value_mlt":[{"subitem_source_identifier":"0286-7400","subitem_source_identifier_type":"PISSN"}]},"item_10002_version_type_20":{"attribute_name":"著者版フラグ","attribute_value_mlt":[{"subitem_version_resource":"http://purl.org/coar/version/c_970fb48d4fbd8a85","subitem_version_type":"VoR"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"加藤, 悦子","creatorNameLang":"ja"},{"creatorName":"カトウ, エツコ","creatorNameLang":"ja-Kana"}],"nameIdentifiers":[{}]},{"creatorNames":[{"creatorName":"Kato, Etsuko","creatorNameLang":"en"}],"nameIdentifiers":[{}]}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_date","date":[{"dateType":"Available","dateValue":"2016-04-01"}],"displaytype":"detail","filename":"kenkyuhokoku_114_07.pdf","filesize":[{"value":"2.1 MB"}],"format":"application/pdf","licensetype":"license_note","mimetype":"application/pdf","url":{"label":"kenkyuhokoku_114_07.pdf","url":"https://rekihaku.repo.nii.ac.jp/record/1262/files/kenkyuhokoku_114_07.pdf"},"version_id":"0cb1a585-e9ce-4281-aaba-a8ae4c469cd4"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"四季竹図屏風について","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"四季竹図屏風について","subitem_title_language":"ja"},{"subitem_title":"Folding Screen Depicting Bamboo in Four Seasons","subitem_title_language":"en"}]},"item_type_id":"10002","owner":"3","path":["140"],"pubdate":{"attribute_name":"PubDate","attribute_value":"2016-04-01"},"publish_date":"2016-04-01","publish_status":"0","recid":"1262","relation_version_is_last":true,"title":["四季竹図屏風について"],"weko_creator_id":"3","weko_shared_id":-1},"updated":"2023-10-18T00:32:23.901233+00:00"}