{"created":"2023-05-15T14:46:27.487768+00:00","id":1401,"links":{},"metadata":{"_buckets":{"deposit":"4bef7504-319b-46d0-aff1-ae7d1df8c6e2"},"_deposit":{"created_by":3,"id":"1401","owners":[3],"pid":{"revision_id":0,"type":"depid","value":"1401"},"status":"published"},"_oai":{"id":"oai:rekihaku.repo.nii.ac.jp:00001401","sets":["21:152"]},"author_link":["3527","3528"],"control_number":"1401","item_10002_biblio_info_7":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2006-01-31","bibliographicIssueDateType":"Issued"},"bibliographicPageEnd":"211","bibliographicPageStart":"191","bibliographicVolumeNumber":"126","bibliographic_titles":[{"bibliographic_title":"国立歴史民俗博物館研究報告","bibliographic_titleLang":"ja"},{"bibliographic_title":"Bulletin of the National Museum of Japanese History","bibliographic_titleLang":"en"}]}]},"item_10002_description_19":{"attribute_name":"フォーマット","attribute_value_mlt":[{"subitem_description":"application/pdf","subitem_description_type":"Other"}]},"item_10002_description_5":{"attribute_name":"抄録","attribute_value_mlt":[{"subitem_description":"博物館による戦争展示はいかにあるべきか。この困難な課題を考察するため、筆者は各国の戦争展示を対象として、その可能性をさぐることにした。\nまず、博物館自体が持つイデオロギー的機能（近代国家の象徴体系の創出による国家への「聖性」の付与）に着目し、それが戦争展示においてどのように展開されているかを検証する、これが本稿の第一の課題である。最も明快な戦争展示は、博物館のイデオロギーに忠実なパターンである。そこでは「我々」と「敵」という明確な腑分けが行なわれ、過去から現在・未来に向かう一つの価値観が提示されている。その典型例として、ニューヨークのイントレピッド海洋航空宇宙博物館を扱う。\nしかし、戦争が戦われた当時と現在との間にイデオロギー的な断絶を余儀なくされるケースは、歴史上世界中に存在する。そのような場合の展示に困難がつきまとうのは、日本に限った話ではない。南北戦争で敗北した側の南部連盟や、アメリカにとってのベトナム戦争の展示がこの問題に対する示唆を与える。\nまた、博物館の機能の一つとしてテクノロジーの脱イデオロギー化があげられる。一九九五年に国立航空宇宙博物館（スミソニアン協会）の原爆展で議論の対象となったエノラ・ゲイは、現在ワシントンＤ．Ｃ．郊外のダラス分館に展示されている。原爆を投下した機体をどのように扱うか。テクノロジーと「愛国正教」との関係を考える有効な題材である。\nそして、博物館はその性格上、現実の政治的状況と無縁であることは出来ない。しかし、分析・啓蒙というこれも近代的な価値を武器として、近代国家の神話に対抗することも可能である。このようなせめぎ合いの現場として、アメリカ歴史博物館（スミソニアン協会）が二〇〇四年秋から開始した「自由の対価」と題する展示をとりあげる。同館はウェッブサイトでも映像を公開しており、サイトでの展示と比較することで、現実政治との関係を考察する。","subitem_description_type":"Abstract"},{"subitem_description":"What form should museum exhibitions on war take? In order to consider this difficult question, the author decided to uncover the possibilities presented by war exhibitions all over the world.\nFirst, a study was made of the ideological functions that museums themselves have (their contribution to making the state “sacred” by way of creating a symbolic structure of the modern state). This first issue addressed in this paper is an examination of how this is played out in war exhibitions. The most explicit war exhibitions faithfully follow a museum's ideology. Here, there is a clear demarcation between “us” and “the enemy” and a single sense of values is presented that takes us from the past to the present and into the future. A good example is to be found in the Intrepid Sea, Air and Space Museum in New York.\nHowever, there are cases to be found all over the world through history of the inevitable ideological breach between the time when a war was fought and the present day. Difficulties associated with this kind of exhibition are not limited to Japan. Exhibitions on the Southern Confederation that lost the American Civil War and the Vietnam War, as seen from the American perspective, present some insights into such difficulties.\nOne function of museums is to free technology from ideology. The Enola Gay, which was the subject of controversy at the atomic bomb exhibition held by the National Air and Space Museum (Smithsonian Institute) in 1995, is currently on display at the Dulles annex on the outskirts of Washington D.C. How should the plane that dropped the atomic bomb be handled? It is useful when considering the relationship between technology and “patriotic orthodoxy”.\nWhat is more, it is not possible to distance the character of a museum from the political situation of the day. However, armed with the modern values of study and enlightenment as weapons, it is possible to confront the myths of the modern state. One site for such a clash discussed in this paper is the exhibition titled the “Price of Freedom,” which opened at the National Museum of American History (Smithsonian Institute) in the autumn of 2004. The museum makes pictures available on its website, an a comparison of the exhibition with the exhibition on the website is used to discuss its relationship with present-day politics.","subitem_description_type":"Abstract"}]},"item_10002_heading_23":{"attribute_name":"見出し","attribute_value_mlt":[{"subitem_heading_banner_headline":"[共同研究] 近代日本の兵士に関する諸問題の研究","subitem_heading_language":"ja"},{"subitem_heading_banner_headline":"Study on Problems Related to Soldiers in Modern Japan","subitem_heading_language":"en"}]},"item_10002_identifier_registration":{"attribute_name":"ID登録","attribute_value_mlt":[{"subitem_identifier_reg_text":"10.15024/00001384","subitem_identifier_reg_type":"JaLC"}]},"item_10002_publisher_8":{"attribute_name":"出版者","attribute_value_mlt":[{"subitem_publisher":"国立歴史民俗博物館","subitem_publisher_language":"ja"}]},"item_10002_relation_17":{"attribute_name":"関連サイト","attribute_value_mlt":[{"subitem_relation_name":[{"subitem_relation_name_text":"第126集 収録論文 タイトルリスト"}],"subitem_relation_type_id":{"subitem_relation_type_id_text":"https://www.rekihaku.ac.jp/outline/publication/ronbun/ronbun6/index.html#no126","subitem_relation_type_select":"URI"}}]},"item_10002_source_id_11":{"attribute_name":"書誌レコードID","attribute_value_mlt":[{"subitem_source_identifier":"AN00377607","subitem_source_identifier_type":"NCID"}]},"item_10002_source_id_9":{"attribute_name":"ISSN","attribute_value_mlt":[{"subitem_source_identifier":"0286-7400","subitem_source_identifier_type":"PISSN"}]},"item_10002_version_type_20":{"attribute_name":"著者版フラグ","attribute_value_mlt":[{"subitem_version_resource":"http://purl.org/coar/version/c_970fb48d4fbd8a85","subitem_version_type":"VoR"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"森山, 優","creatorNameLang":"ja"},{"creatorName":"モリヤマ, アツシ","creatorNameLang":"ja-Kana"}],"nameIdentifiers":[{}]},{"creatorNames":[{"creatorName":"Moriyama, Atsushi","creatorNameLang":"en"}],"nameIdentifiers":[{}]}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_date","date":[{"dateType":"Available","dateValue":"2016-04-01"}],"displaytype":"detail","filename":"kenkyuhokoku_126_09.pdf","filesize":[{"value":"6.5 MB"}],"format":"application/pdf","licensetype":"license_note","mimetype":"application/pdf","url":{"label":"kenkyuhokoku_126_09.pdf","url":"https://rekihaku.repo.nii.ac.jp/record/1401/files/kenkyuhokoku_126_09.pdf"},"version_id":"e4b40f24-ac33-4848-a739-ba2e1929563f"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"各国の戦争展示 : 政治と「ミュージアム」の関連から","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"各国の戦争展示 : 政治と「ミュージアム」の関連から","subitem_title_language":"ja"},{"subitem_title":"War Exhibitions Around the World : From the Perspective of Politics and the Function of “Museums”","subitem_title_language":"en"}]},"item_type_id":"10002","owner":"3","path":["152"],"pubdate":{"attribute_name":"PubDate","attribute_value":"2016-04-01"},"publish_date":"2016-04-01","publish_status":"0","recid":"1401","relation_version_is_last":true,"title":["各国の戦争展示 : 政治と「ミュージアム」の関連から"],"weko_creator_id":"3","weko_shared_id":-1},"updated":"2023-10-18T05:11:06.998686+00:00"}