{"created":"2023-05-15T14:46:46.151851+00:00","id":1822,"links":{},"metadata":{"_buckets":{"deposit":"05bb5828-33d3-4ae5-a5c7-fe4875636c33"},"_deposit":{"created_by":3,"id":"1822","owners":[3],"pid":{"revision_id":0,"type":"depid","value":"1822"},"status":"published"},"_oai":{"id":"oai:rekihaku.repo.nii.ac.jp:00001822","sets":["21:184"]},"author_link":["4370","4371"],"control_number":"1822","item_10002_biblio_info_7":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2010-03-15","bibliographicIssueDateType":"Issued"},"bibliographicPageEnd":"194","bibliographicPageStart":"175","bibliographicVolumeNumber":"157","bibliographic_titles":[{"bibliographic_title":"国立歴史民俗博物館研究報告","bibliographic_titleLang":"ja"},{"bibliographic_title":"Bulletin of the National Museum of Japanese History","bibliographic_titleLang":"en"}]}]},"item_10002_description_19":{"attribute_name":"フォーマット","attribute_value_mlt":[{"subitem_description":"application/pdf","subitem_description_type":"Other"}]},"item_10002_description_5":{"attribute_name":"抄録","attribute_value_mlt":[{"subitem_description":"本論考では、「似絵詞」を軸に、似絵の時期区分を試みている。「似絵詞」とは後堀河院の仰せによって制作されたもので、当時優れた技芸の持ち主であった八人の人物の似絵を描いた肖像画巻の詞書部分である。「似絵詞」成立の前後には、そこに採り上げられた八つの技芸と同一または類似する技芸を単独で主題とする似絵が集中的に作られており、この時期の似絵制作の動向を「似絵詞」が総括し、強い規範性を発していて、一つのまとまりを作っている点が注目される。\n「似絵詞」に示された似絵観は、技芸の盛んな様を示そうとしていることからも分かるように、文雅の興隆を国家隆盛の証とする儒教的政教主義の思想を背景としている。技芸を主題とする似絵が制作されたのは九条道家が宮廷政治を主導していた時期であり、このような似絵観の成立を主導したのも、道家であったと考えられる。道家の政治思想は儒教的な徳治主義に自覚的に立ち戻ろうとしている点に特徴があり、それが「似絵詞」に代表される後堀河院政期前後の似絵の技芸的主題を好む傾向と軌を一にしている点からもそのことはうなづける。似絵は徳治の具体的な証明であった。\nしかし、道家没後の似絵は、儒教的政教主義、徳治の証明としての似絵という路線からは変質してゆく。一方、道家登場以前の似絵は、行事絵という具体性の強い分野と融合し、思想的な抽象性にまでは十分に至っていない。このように、似絵史は、道家時代を中心に、その前と後という形で、三期に区分できる。\n一般に肖像は不在の身体の再生であり、文化的表現行為というよりは、自然の物質や生命の問題と考えられがちである。それゆえ自然の原理に人為的に介入しようとする呪術との関わりも問題になるのであるが、これまで見てきたように、似絵は生命を含めた物質的自然というよりは、言語的な思想を表現するものである。似絵研究は、物から言葉へとその視点を移行させる必要があるのである。","subitem_description_type":"Abstract"},{"subitem_description":"In this article, I have attempted to sectionalize the period of Nise-e using “Nise e kotoba” as a pivotal point. “Nise e kotoba” was produced by order of the Emperor Go-Horikawa, and is the explanation section of the volumes of portraits, which consist of Nise-e of eight people distinguished in practical arts at the time. Before and after the formation of “Nise e kotoba”, Nise-e, featuring a single art - the same as or similar to the eight practical arts adopted in the above volumes - have been produced intensively. A point that attracts attention is the way in which “Nise e kotoba” summarizes the movements of Nise-e production during this period, and issues a strong canonicity to create a single unit.\nThe philosophy of Nise-e shown in “Nise e kotoba,” also evident from the fact that it tries to display how active practical arts are, has a Confucian theocratic doctrine, whereby the rise of elegant accomplishments is evidence of the prosperity of a state. Nise-e on the theme of practical arts were produced during the period when Kujo Michiie led court politics. It is thought that Michiie also led the formation of the aforementioned philosophy of Nise-e. Michiie's political thinking can be recognized by its attempt to consciously return to the Confucian Tokuchi doctrine (governed by moral virtue) . It is understandable also from the fact that his thinking is in line with the trend of Nise-e from around the period of the Emperor Go-Horikawa, favoring practical arts as their theme, represented by the “Nise e kotoba”. Nise e was tangible proof of Tokuchi.\nHowever, Nise-e after Michiie passed away changed in nature from its role as evidence of Confucian theocratic doctrine and Tokuchi. By contrast, Nise-e before Michiie appeared fused with an area containing strong specifics called Gyoji-e, pictures of events, and was unable to establish ample intellectual abstractiveness. As such, the history of Nise-e can be divided into three periods, with the Michiie period in the middle and beforehand and afterwards.\nDue to the fact that a portrait is a reproduction of an absent body in general, it tends to be regarded as a matter of natural materials and lives rather than one of cultural expression. Therefore, the relationship with magic, which tries to artificially intervene in the physical principle, is brought into question. As described above, however, Nise-e expresses linguistic thoughts, rather than material nature including lives. Study on Nise-e needs to shift its viewpoint from objects to words.","subitem_description_type":"Abstract"}]},"item_10002_description_6":{"attribute_name":"内容記述","attribute_value_mlt":[{"subitem_description":"一部非公開情報あり","subitem_description_type":"Other"}]},"item_10002_heading_23":{"attribute_name":"見出し","attribute_value_mlt":[{"subitem_heading_banner_headline":"[共同研究] 中・近世における生業と技術・呪術信仰","subitem_heading_language":"ja"},{"subitem_heading_banner_headline":"[Collaborative Research] Occupation, Technology, and Magical Faiths in Medieval and Early Modern Japan","subitem_heading_language":"en"}]},"item_10002_identifier_registration":{"attribute_name":"ID登録","attribute_value_mlt":[{"subitem_identifier_reg_text":"10.15024/00001805","subitem_identifier_reg_type":"JaLC"}]},"item_10002_publisher_8":{"attribute_name":"出版者","attribute_value_mlt":[{"subitem_publisher":"国立歴史民俗博物館","subitem_publisher_language":"ja"}]},"item_10002_relation_17":{"attribute_name":"関連サイト","attribute_value_mlt":[{"subitem_relation_name":[{"subitem_relation_name_text":"第157集 収録論文 タイトルリスト"}],"subitem_relation_type_id":{"subitem_relation_type_id_text":"https://www.rekihaku.ac.jp/outline/publication/ronbun/ronbun7/index.html#no157","subitem_relation_type_select":"URI"}}]},"item_10002_source_id_11":{"attribute_name":"書誌レコードID","attribute_value_mlt":[{"subitem_source_identifier":"AN00377607","subitem_source_identifier_type":"NCID"}]},"item_10002_source_id_9":{"attribute_name":"ISSN","attribute_value_mlt":[{"subitem_source_identifier":"0286-7400","subitem_source_identifier_type":"PISSN"}]},"item_10002_version_type_20":{"attribute_name":"著者版フラグ","attribute_value_mlt":[{"subitem_version_resource":"http://purl.org/coar/version/c_970fb48d4fbd8a85","subitem_version_type":"VoR"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"伊藤, 大輔","creatorNameLang":"ja"},{"creatorName":"イトウ, ダイスケ","creatorNameLang":"ja-Kana"}],"nameIdentifiers":[{}]},{"creatorNames":[{"creatorName":"Ito, Daisuke","creatorNameLang":"en"}],"nameIdentifiers":[{}]}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_date","date":[{"dateType":"Available","dateValue":"2016-04-01"}],"displaytype":"detail","filename":"kenkyuhokoku_157_09.pdf","filesize":[{"value":"2.0 MB"}],"format":"application/pdf","licensetype":"license_note","mimetype":"application/pdf","url":{"label":"kenkyuhokoku_157_09.pdf","url":"https://rekihaku.repo.nii.ac.jp/record/1822/files/kenkyuhokoku_157_09.pdf"},"version_id":"c0651976-0bb0-4142-b138-e48acb2e347f"}]},"item_keyword":{"attribute_name":"キーワード","attribute_value_mlt":[{"subitem_subject":"似絵","subitem_subject_scheme":"Other"},{"subitem_subject":"似絵詞","subitem_subject_scheme":"Other"},{"subitem_subject":"九条道家","subitem_subject_scheme":"Other"},{"subitem_subject":"肖像","subitem_subject_scheme":"Other"},{"subitem_subject":"呪術","subitem_subject_scheme":"Other"},{"subitem_subject":"Nise-e","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"Nise e kotoba","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"Kujo Michiie","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"portrait","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"magic","subitem_subject_language":"en","subitem_subject_scheme":"Other"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"肖像表現における言葉と物 : 似絵の位置づけを巡って（第2部 技術・呪術・信仰）","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"肖像表現における言葉と物 : 似絵の位置づけを巡って（第2部 技術・呪術・信仰）","subitem_title_language":"ja"},{"subitem_title":"Words and Objects in Portrait Expression : The Positioning of Nise-e, the Portraits（Part2 Technology/Magic/Religion）","subitem_title_language":"en"}]},"item_type_id":"10002","owner":"3","path":["184"],"pubdate":{"attribute_name":"PubDate","attribute_value":"2016-04-01"},"publish_date":"2016-04-01","publish_status":"0","recid":"1822","relation_version_is_last":true,"title":["肖像表現における言葉と物 : 似絵の位置づけを巡って（第2部 技術・呪術・信仰）"],"weko_creator_id":"3","weko_shared_id":-1},"updated":"2023-07-27T05:48:36.024412+00:00"}