{"created":"2023-05-15T14:46:51.336920+00:00","id":1944,"links":{},"metadata":{"_buckets":{"deposit":"d0a006b4-58f4-4204-a59f-f74d3083fc61"},"_deposit":{"created_by":3,"id":"1944","owners":[3],"pid":{"revision_id":0,"type":"depid","value":"1944"},"status":"published"},"_oai":{"id":"oai:rekihaku.repo.nii.ac.jp:00001944","sets":["21:193"]},"author_link":["4628","4629"],"control_number":"1944","item_10002_biblio_info_7":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2011-03-31","bibliographicIssueDateType":"Issued"},"bibliographicPageEnd":"104","bibliographicPageStart":"81","bibliographicVolumeNumber":"166","bibliographic_titles":[{"bibliographic_title":"国立歴史民俗博物館研究報告","bibliographic_titleLang":"ja"},{"bibliographic_title":"Bulletin of the National Museum of Japanese History","bibliographic_titleLang":"en"}]}]},"item_10002_description_19":{"attribute_name":"フォーマット","attribute_value_mlt":[{"subitem_description":"application/pdf","subitem_description_type":"Other"}]},"item_10002_description_5":{"attribute_name":"抄録","attribute_value_mlt":[{"subitem_description":"本稿は、紀州藩十代藩主徳川治宝の雅楽をめぐる動向に注目し、彼において雅楽という音楽や楽器はいかなる意味をもち、またどのように雅楽と関わっていたのかということを、「西浜御殿舞楽之図」（和歌山市立博物館蔵）を詳細に分析することによって、考察するものである。\n「西浜御殿舞楽之図」（和歌山市立博物館蔵）は、これまで紀州藩の国学者本居大平が著した「楽譚　西浜御殿舞楽之記」の内容と画面内容がおおよそ一致することから、文政六年（一八二三）十月に徳川治宝によって開催された舞楽の様子を描いたものであると考えられてきた。しかし、描かれた内容には「舞楽記」との相違も見られることから、別の日の舞楽の模様を描いた可能性も考えられた。特に季節の描写が異なっていることに注目し、現存する史料を精査した結果、天保十年三月に西浜御殿にて開催された舞楽会を描き出した可能性も考えられることが分かった。\nまた、細部を詳細に分析することによって、西浜御殿を具体的な「舞楽」のイメージを用いて、雅な「庭園図」として描くとともに、主従関係が明確である政治的空間として描こうとしていることを指摘した。しかもその庭園のイメージには、古典絵画に見られる公家邸宅を用い、治宝自身の姿も高貴な公家や天皇の姿を重ねることによって、治宝自身を文化的政治的に強大な権力をもった人物として位置づける意図があったのではないかと推測した。これには、西浜御殿隠居後の治宝がおかれた立場が深く関わっている。幕府の意向により、不本意な形で藩主の座を娘婿に譲らなければならなかった治宝にとって、西浜御殿は、まさに「城」に替わる「御所」であった。\nつまり本図は、「舞楽」というイメージを使って西浜御殿を雅な場として荘厳し、政治的にも文化的にも中心であること、そして治宝がその場を支配する強大な権力者であることを示そうとした表象として、描かれたイメージであったと考えられる。","subitem_description_type":"Abstract"},{"subitem_description":"This article focuses on Tokugawa Harutomi's movements around the Gagaku. Tokugawa Harutomi was the 10th feudal lord of the Kishu domain. And this article examines what the Gagaku music and the musical instruments meant to him and how he was involved in Gagaku by analyzing “Nishihama Goten Bugaku No Zu” (owned by Wakayama City Museum) in detail.\nThe painting of “Nishihama Goten Bugaku No Zu” (owned by Wakayama City Museum) is almost the same as the content of “Gakutan: Nishihama Goten Bugaku No Ki” written by Motoori Oohira, scholar of the Kokugaku, from the Kishu domain. Therefore, it was considered that the painting showed the scene of the Bugaku held by Tokugawa Harutomi in October of the 6th year of the Bunsei era (1823). However, there are some differences between the painting and the content of the “Bugaku No Ki”, and there is a possibility that the Bugaku held on another day was shown in the painting. As a result of focusing attention on the difference in depicture of seasons and making a detailed survey of the existing historical materials, it was found that the painting might depict the Bugaku held at Nishihama Goten in March of the 10th year of the Tempo era (1839).\nIn addition, as a result of analyzing the details further, it is pointed that Nishihama Goten was depicted as a graceful “garden painting” with a specific image of “Bugaku” and as a political space in which the master-servant relationship is clear. It is also assumed that Harutomi intended to position himself as a person having strong power culturally and politically by using such a court noble's residence as depicted in classical paintings for the image of the garden and overlapping the picture of Harutomi himself with the picture of a court noble or the emperor. This is deeply related with the position of Harutomi after he went into retirement at Nishihama Goten. With the intent of the shogunate, Harutomi had to reluctantly hand over the position of domain lord to his daughter's husband, and to him, Nishihama Goten was a “palace” as a substitute for “castle”.\nIn other words, it seems that this painting was depicted with the intention of showing that Nishihama Goten was a political and cultural center by solemnifying Nishihama Goten as a graceful place using the image of “Bugaku” and that Harutomi was a strong person of power who dominates the place.","subitem_description_type":"Abstract"}]},"item_10002_heading_23":{"attribute_name":"見出し","attribute_value_mlt":[{"subitem_heading_banner_headline":"［共同研究］紀州徳川家伝来楽器コレクションの研究","subitem_heading_language":"ja"},{"subitem_heading_banner_headline":"[Collaborative Research] Study of the Museum’s Collections of Musical Instruments Handed Down in the Kishu-Tokugawa Family","subitem_heading_language":"en"}]},"item_10002_identifier_registration":{"attribute_name":"ID登録","attribute_value_mlt":[{"subitem_identifier_reg_text":"10.15024/00001927","subitem_identifier_reg_type":"JaLC"}]},"item_10002_publisher_8":{"attribute_name":"出版者","attribute_value_mlt":[{"subitem_publisher":"国立歴史民俗博物館","subitem_publisher_language":"ja"}]},"item_10002_relation_17":{"attribute_name":"関連サイト","attribute_value_mlt":[{"subitem_relation_name":[{"subitem_relation_name_text":"第166集 収録論文 タイトルリスト"}],"subitem_relation_type_id":{"subitem_relation_type_id_text":"https://www.rekihaku.ac.jp/outline/publication/ronbun/ronbun7/index.html#no166","subitem_relation_type_select":"URI"}}]},"item_10002_source_id_11":{"attribute_name":"書誌レコードID","attribute_value_mlt":[{"subitem_source_identifier":"AN00377607","subitem_source_identifier_type":"NCID"}]},"item_10002_source_id_9":{"attribute_name":"ISSN","attribute_value_mlt":[{"subitem_source_identifier":"0286-7400","subitem_source_identifier_type":"PISSN"}]},"item_10002_version_type_20":{"attribute_name":"著者版フラグ","attribute_value_mlt":[{"subitem_version_resource":"http://purl.org/coar/version/c_970fb48d4fbd8a85","subitem_version_type":"VoR"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"水野, 僚子","creatorNameLang":"ja"},{"creatorName":"ミズノ, リョウコ","creatorNameLang":"ja-Kana"}],"nameIdentifiers":[{}]},{"creatorNames":[{"creatorName":"Mizuno, Ryoko","creatorNameLang":"en"}],"nameIdentifiers":[{}]}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_date","date":[{"dateType":"Available","dateValue":"2016-04-01"}],"displaytype":"detail","filename":"kenkyuhokoku_166_06.pdf","filesize":[{"value":"759.1 kB"}],"format":"application/pdf","licensetype":"license_note","mimetype":"application/pdf","url":{"label":"kenkyuhokoku_166_06.pdf","url":"https://rekihaku.repo.nii.ac.jp/record/1944/files/kenkyuhokoku_166_06.pdf"},"version_id":"0aeb4784-ad7f-4321-a91b-c334f8148c7c"}]},"item_keyword":{"attribute_name":"キーワード","attribute_value_mlt":[{"subitem_subject":"西浜御殿舞楽之図","subitem_subject_scheme":"Other"},{"subitem_subject":"徳川治宝","subitem_subject_scheme":"Other"},{"subitem_subject":"舞楽","subitem_subject_scheme":"Other"},{"subitem_subject":"西浜御殿","subitem_subject_scheme":"Other"},{"subitem_subject":"和琴","subitem_subject_scheme":"Other"},{"subitem_subject":"Nishihama Goten Bugaku No Zu","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"Tokugawa Harutomi","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"Bugaku","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"Nishihama Goten","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"Japanese harp","subitem_subject_language":"en","subitem_subject_scheme":"Other"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"「西浜御殿舞楽之図」にみる雅楽の表象 : 徳川治宝における雅楽の意味と機能","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"「西浜御殿舞楽之図」にみる雅楽の表象 : 徳川治宝における雅楽の意味と機能","subitem_title_language":"ja"},{"subitem_title":"Image of Gagaku Seen in “Nishihama Goten Bugaku No Zu” : Meaning and Function of Gagaku of Tokugawa Harutomi","subitem_title_language":"en"}]},"item_type_id":"10002","owner":"3","path":["193"],"pubdate":{"attribute_name":"PubDate","attribute_value":"2016-04-01"},"publish_date":"2016-04-01","publish_status":"0","recid":"1944","relation_version_is_last":true,"title":["「西浜御殿舞楽之図」にみる雅楽の表象 : 徳川治宝における雅楽の意味と機能"],"weko_creator_id":"3","weko_shared_id":-1},"updated":"2023-08-02T06:11:08.794617+00:00"}