{"created":"2023-05-15T14:45:25.825172+00:00","id":238,"links":{},"metadata":{"_buckets":{"deposit":"e18593f6-c774-4587-84ff-2b012bd10241"},"_deposit":{"created_by":3,"id":"238","owners":[3],"pid":{"revision_id":0,"type":"depid","value":"238"},"status":"published"},"_oai":{"id":"oai:rekihaku.repo.nii.ac.jp:00000238","sets":["21:22"]},"author_link":["665","666"],"control_number":"238","item_10002_biblio_info_7":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2012-11-30","bibliographicIssueDateType":"Issued"},"bibliographicPageEnd":"79","bibliographicPageStart":"29","bibliographicVolumeNumber":"177","bibliographic_titles":[{"bibliographic_title":"国立歴史民俗博物館研究報告","bibliographic_titleLang":"ja"},{"bibliographic_title":"Bulletin of the National Museum of Japanese History","bibliographic_titleLang":"en"}]}]},"item_10002_description_19":{"attribute_name":"フォーマット","attribute_value_mlt":[{"subitem_description":"application/pdf","subitem_description_type":"Other"}]},"item_10002_description_5":{"attribute_name":"抄録","attribute_value_mlt":[{"subitem_description":"5世紀初頭から9世紀末まで仏教が栄えたバーミヤーン遺跡には，50窟の石窟に壁画が残されている。東の中国，西のイランおよび地中海世界，南のインドと北の遊牧文化，オアシス世界等さまざまな地域との交流の影響の痕跡が残されており，壁画にもその間に技法的，材料的な変容があったと考えられる。本稿では，ESRF（欧州シンクロトロン放射光施設）との共同研究として行っている，バーミヤーン仏教壁画の製作技法・彩色材料および劣化機構に関する顕微レベルの有機／無機物質の分析から得られた基礎的データのうち，油彩技法にかかわる3 つの事例から得られた結果を提示するとともに，バーミヤーン遺跡における仏教壁画群の材質と技法について，広く東西文化交渉の視点から考察を試みた。微小領域に絞ったビームでも高いS/N 値が得られる放射光を用いたSR-μXRF, SR-μXRDの同時分析，SR-μFTIR 分析を組み合わせることによって，複数の数μm厚の彩色層を重層的に持つ壁画試料を，層毎に分析することを可能とした。とくに，同じ個所をSR-μXRF/SR-μXRDによって同時測定することにより，層中の個々の顔料粒子の同定ができるところが，彩色文化遺産の研究において極めて有効性が高い特徴であった。\nバーミヤーン仏教壁画は，練り土壁に有機物質を膠着材とした絵具を重層的に塗り重ねて描く技法で描かれており，7世紀半ばからは，鉛白を白色下地とし，層ごとに油，樹脂，タンパク質，多糖類など異なる様々な有機物を含む一群が存在することが明らかになった。これは，現時点では最古の油彩技法の事例と位置付けられる。彩色層に含まれる乾性油の一部は，鉛石鹸へ変性していることも確認された。また，色付けをしたスズ箔の使用や鉛白，鉛丹など人造の無機顔料の利用とも関連させて解釈すると，地中海世界のメッカ技法や正倉院にも伝わる密陀絵とも関わる彩色技法が想起され，広く東西交流の視点から検討すべき技法であることが明らかとなった。","subitem_description_type":"Abstract"},{"subitem_description":"Approximately 50 caves at the Bamiyan site, once a vast Buddhist monastic complex, were decorated with wall paintings between the early 5th and late 9th centuries AD. These wall paintings reveal a variety of cultural, technical and material influences from China, Iran, the Mediterranean, India and northern nomadic cultures. Minute painting samples were analysed at the European Synchrotron Radiation Facility (ESRF) in a collaborative research project using synchrotron-based μFTIR and μXRF/μXRD analyses in order to identify constituent materials (both organic and inorganic) and alteration products. Results derived from three samples presented the newly-discovered use of drying oils as binding media. These results were then studied from wider cultural interactions between the West and East along the Silk Road. Synchrotron-based analysis carries the advantage of having a high S/N and small beam size. Simultaneous analysis of SR-μXRF/ SR-μXRD combined with SR-μFTIR analysis enabled the individual analysis of multiple layers within paintings, even where layers were only a few μm thick. It also enabled the identification of each particle within such thin layers.\nThe Bamiyan wall paintings were made using the a secco technique, which involves applying organic binding media mixed with pigments onto earthen rendering layers. Oil painting techniques with a lead white ground appeared in Bamiyan after the mid-7th century AD. Fatty acids, resins, amid acids, and polysaccharides were detected within each layer. At this point in time, the wall paintings stand as the oldest example of oil painting techniques in the world. Some layers containing drying oils have changed into lead soaps. The presence of some metal leafs with yellowed varnish, as well as the usage of\nartificial pigments such as lead white and minium, suggest links with the ‘mecca’ technique of medieval Mediterranean art and the ‘mitsuda-e’ technique of Shōsōin, which shall be addressed upon reviewing wider cultural interactions between the East and West in the 7th century AD.","subitem_description_type":"Abstract"}]},"item_10002_heading_23":{"attribute_name":"見出し","attribute_value_mlt":[{"subitem_heading_banner_headline":"歴史資料に対する自然科学的調査法の開発と適用に関する研究","subitem_heading_language":"ja"},{"subitem_heading_banner_headline":"Research on the Development and Application of Natural Science Methods of Analyzing Historical Materials","subitem_heading_language":"en"}]},"item_10002_identifier_registration":{"attribute_name":"ID登録","attribute_value_mlt":[{"subitem_identifier_reg_text":"10.15024/00000222","subitem_identifier_reg_type":"JaLC"}]},"item_10002_publisher_8":{"attribute_name":"出版者","attribute_value_mlt":[{"subitem_publisher":"国立歴史民俗博物館","subitem_publisher_language":"ja"}]},"item_10002_relation_17":{"attribute_name":"関連サイト","attribute_value_mlt":[{"subitem_relation_name":[{"subitem_relation_name_text":"第177集 収録論文 タイトルリスト"}],"subitem_relation_type_id":{"subitem_relation_type_id_text":"https://www.rekihaku.ac.jp/outline/publication/ronbun/ronbun8/index.html#no177","subitem_relation_type_select":"URI"}}]},"item_10002_source_id_11":{"attribute_name":"書誌レコードID","attribute_value_mlt":[{"subitem_source_identifier":"AN00377607","subitem_source_identifier_type":"NCID"}]},"item_10002_source_id_9":{"attribute_name":"ISSN","attribute_value_mlt":[{"subitem_source_identifier":"0286-7400","subitem_source_identifier_type":"PISSN"}]},"item_10002_version_type_20":{"attribute_name":"著者版フラグ","attribute_value_mlt":[{"subitem_version_resource":"http://purl.org/coar/version/c_970fb48d4fbd8a85","subitem_version_type":"VoR"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"谷口,  陽子","creatorNameLang":"ja"},{"creatorName":"タニグチ, ヨウコ","creatorNameLang":"ja-Kana"}],"nameIdentifiers":[{}]},{"creatorNames":[{"creatorName":"Taniguchi,  Yoko","creatorNameLang":"en"}],"nameIdentifiers":[{}]}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_date","date":[{"dateType":"Available","dateValue":"2016-04-01"}],"displaytype":"detail","filename":"kenkyuhokoku_177_02.pdf","filesize":[{"value":"2.8 MB"}],"format":"application/pdf","licensetype":"license_note","mimetype":"application/pdf","url":{"label":"kenkyuhokoku_177_02","url":"https://rekihaku.repo.nii.ac.jp/record/238/files/kenkyuhokoku_177_02.pdf"},"version_id":"758367f9-c92c-4632-9bee-a980b869cb16"}]},"item_keyword":{"attribute_name":"キーワード","attribute_value_mlt":[{"subitem_subject":"彩色材料","subitem_subject_scheme":"Other"},{"subitem_subject":"重層構造","subitem_subject_scheme":"Other"},{"subitem_subject":"SR-μFTIR","subitem_subject_scheme":"Other"},{"subitem_subject":"SR-μXRF/SR-μXRD","subitem_subject_scheme":"Other"},{"subitem_subject":"イメージング","subitem_subject_scheme":"Other"},{"subitem_subject":"Painting materials","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"multi-layered structure","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"SR-μFTIR","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"SR-μXRF/μXRD","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"imaging","subitem_subject_language":"en","subitem_subject_scheme":"Other"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"中央アジア・バーミヤーン仏教壁画の分析(1) : シンクロトロン放射光を用いたSR-μFTIR, SR-μXRF/SR-μXRD分析","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"中央アジア・バーミヤーン仏教壁画の分析(1) : シンクロトロン放射光を用いたSR-μFTIR, SR-μXRF/SR-μXRD分析","subitem_title_language":"ja"},{"subitem_title":"Constituent Material Analysis of the Bamiyan Buddhist Wall Paintings in Central Asia(1) : Using Synchrotron-based μFTIR, μXRF/μXRD Analyses","subitem_title_language":"en"}]},"item_type_id":"10002","owner":"3","path":["22"],"pubdate":{"attribute_name":"PubDate","attribute_value":"2016-01-04"},"publish_date":"2016-01-04","publish_status":"0","recid":"238","relation_version_is_last":true,"title":["中央アジア・バーミヤーン仏教壁画の分析(1) : シンクロトロン放射光を用いたSR-μFTIR, SR-μXRF/SR-μXRD分析"],"weko_creator_id":"3","weko_shared_id":-1},"updated":"2023-08-14T06:04:25.417151+00:00"}