{"created":"2023-05-15T14:47:15.815697+00:00","id":2401,"links":{},"metadata":{"_buckets":{"deposit":"3244a71a-9336-4e17-aaf0-bbdda5055c25"},"_deposit":{"created_by":3,"id":"2401","owners":[3],"pid":{"revision_id":0,"type":"depid","value":"2401"},"status":"published"},"_oai":{"id":"oai:rekihaku.repo.nii.ac.jp:00002401","sets":["21:235"]},"author_link":["5796","5797"],"control_number":"2401","item_10002_biblio_info_7":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2018-03-30","bibliographicIssueDateType":"Issued"},"bibliographicPageEnd":"47","bibliographicPageStart":"29","bibliographicVolumeNumber":"210","bibliographic_titles":[{"bibliographic_title":"国立歴史民俗博物館研究報告","bibliographic_titleLang":"ja"},{"bibliographic_title":"Bulletin of the National Museum of Japanese History","bibliographic_titleLang":"en"}]}]},"item_10002_description_19":{"attribute_name":"フォーマット","attribute_value_mlt":[{"subitem_description":"application/pdf","subitem_description_type":"Other"}]},"item_10002_description_5":{"attribute_name":"抄録","attribute_value_mlt":[{"subitem_description":"本稿では中世的漆器生産へ転換する過程を，主に食漆器（椀皿類）製作技術を中心に，社会文化史的背景をふまえながらとりあげる。平安時代後期以降，塗師や木地師などの工人も自立の道を求めて，各地で新たな漆器生産を開始する。新潟県寺前遺跡（12世紀後半～13世紀）のように，製鉄溶解炉壁や食漆器の荒型，製品，漆刷毛，漆パレットなどが出土し，荘官級在地有力者の屋敷内における，鋳物師と木地・塗師の存在が裏付けられる遺跡もある。いっぽう次第に塗師や木地師などによる分業的生産に転換していく。そうしたなかで11～12世紀にかけて材料や工程を大幅に省略し，下地に柿渋と炭粉を混ぜ，漆塗りも1層程度の簡素な「渋下地漆器」が出現する。これに加えて，蒔絵意匠を簡略化した漆絵(うるしえ)が施されるようになり，需要は急速に拡大していった。やがて15世紀には食漆器の樹種も安価な渋下地に対応して，ブナやトチノキなど多様な樹種が選択されるようになっていく。渋下地漆器の普及は土器埦の激減まねき，漆椀をベースに陶磁器や瓦器埦などの相互補完による新しい食膳様式が形成された。漆桶や漆パレットや漆採取法からも変化の様子を取り上げた。禅宗の影響による汁物・雑炊調理法の普及は，摺鉢の量産と食漆器の普及に拍車をかけた。朱（赤色）漆器は古代では身分を表示したものであったが，中世では元や明の堆朱をはじめとする唐物漆器への強い憧れに変わる。16世紀代はそれが都市の商工業者のみならず農村にまで広く普及して行く。都市の台頭や農村の自立を示す大きな画期であり，近世への躍動を感じさせる「色彩感覚の大転換」が漆器の上塗色と絵巻物からも読み解くことができる。古代後期から中世への転換期，及び中世内の画期において，食漆器製作にも大きな変化が見られ，それは社会的変化に連動することを紹介した。","subitem_description_type":"Abstract"},{"subitem_description":"This article examines the transition from late ancient to medieval modes of lacquerware production, with a special focus on the production techniques of lacquered tableware (bowls and plates), by analyzing its social and cultural background. Artisans, such as lacquerers and woodturners, who wanted to be self-reliant, opened new lacquer workshops around Japan in the late Heian period. In fact, some sites, including the Teramae site (dating back to the late 12th to 13th century) in Niigata Prefecture, have yielded archaeological evidence for the existence of casters and woodturners-cum-lacquerers working at the residences of local elites of the bailiff class. The unearthed objects include iron-melting furnace walls, rough-cut bowls and plates before applying lacquer, lacquered bowls and plates, and lacquer paint brushes and palettes. Later, lacquer artisans became more specialized and divided into distinct professions, such as woodturners and lacquerers. Meanwhile, persimmon lacquer (undercoated with a mixture of persimmon tannin and carbon powder and covered with a layer of lacquer) appeared from the 11th to 12th century. It was a simpler process with fewer steps and fewer materials. In addition, the technique of lacquer painting was introduced as a simpler alternative to gold lacquering. These new techniques boosted the demand for lacquerware. In the 15th century, the variety of woods used for cheap persimmon-lacquered tableware increased to include Japanese beech and horse chestnut, which further promoted the spread of persimmon lacquerware and caused the rapid decline of pottery bowls. As a result, a new style of tableware was established with lacquered bowls as its basis and with ceramic ware and unglazed earthen bowls as complementary elements. Some significant changes were also seen in lacquer paint tools, such as buckets and palettes, and lacquer-collecting techniques. Moreover, the growing popularity of soups and rice porridge, under the influence of the Zen Buddhist Sect, spurred the mass production of mortars and the spread of lacquered tableware. Another change in medieval Japan was the meaning of red lacquerware. Although it had remained popular since ancient times, its meaning changed from a symbol of the high social status of those who owned it to a reminder of Chinese lacquerware, such as red lacquerware of the Yuan and Ming Dynasties. In the 16th century, red lacquerware gained more widespread popularity, not only among artisans and merchants in urban areas but also among farmers in rural areas. This drastic change in the color symbolism seen in lacquerware and picture rolls was a milestone in the transition towards the early modern period, representing the rise of cities and the independence of rural communities. Thus, this article insists that the production of lacquered tableware changed significantly in parallel with social changes at the transitional phase from the late ancient to medieval times as well as at each milestone of the medieval period.","subitem_description_type":"Abstract"}]},"item_10002_heading_23":{"attribute_name":"見出し","attribute_value_mlt":[{"subitem_heading_banner_headline":"[共同研究] 中世の技術と職人に関する総合的研究","subitem_heading_language":"ja"},{"subitem_heading_banner_headline":"[Collaborative Research] General Study on Technology and Craftsmen in Medieval Times","subitem_heading_language":"en"}]},"item_10002_publisher_8":{"attribute_name":"出版者","attribute_value_mlt":[{"subitem_publisher":"国立歴史民俗博物館","subitem_publisher_language":"ja"}]},"item_10002_relation_17":{"attribute_name":"関連サイト","attribute_value_mlt":[{"subitem_relation_name":[{"subitem_relation_name_text":"第210集 収録論文 タイトルリスト"}],"subitem_relation_type_id":{"subitem_relation_type_id_text":"https://www.rekihaku.ac.jp/outline/publication/ronbun/ronbun9/index.html#no210","subitem_relation_type_select":"URI"}}]},"item_10002_source_id_11":{"attribute_name":"書誌レコードID","attribute_value_mlt":[{"subitem_source_identifier":"AN00377607","subitem_source_identifier_type":"NCID"}]},"item_10002_source_id_9":{"attribute_name":"ISSN","attribute_value_mlt":[{"subitem_source_identifier":"0286-7400","subitem_source_identifier_type":"PISSN"}]},"item_10002_version_type_20":{"attribute_name":"著者版フラグ","attribute_value_mlt":[{"subitem_version_resource":"http://purl.org/coar/version/c_970fb48d4fbd8a85","subitem_version_type":"VoR"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"四柳, 嘉章","creatorNameLang":"ja"},{"creatorName":"ヨツヤナギ, カショウ","creatorNameLang":"ja-Kana"}],"nameIdentifiers":[{}]},{"creatorNames":[{"creatorName":"Yotsuyanagi, Kasho","creatorNameLang":"en"}],"nameIdentifiers":[{}]}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_date","date":[{"dateType":"Available","dateValue":"2019-03-29"}],"displaytype":"detail","filename":"kenkyuhokoku_210_03.pdf","filesize":[{"value":"3.1 MB"}],"format":"application/pdf","licensetype":"license_note","mimetype":"application/pdf","url":{"label":"kenkyuhokoku_210_03.pdf","url":"https://rekihaku.repo.nii.ac.jp/record/2401/files/kenkyuhokoku_210_03.pdf"},"version_id":"78d238b5-1f32-4413-b8f4-28667ce7d17a"}]},"item_keyword":{"attribute_name":"キーワード","attribute_value_mlt":[{"subitem_subject":"食漆器","subitem_subject_scheme":"Other"},{"subitem_subject":"渋下地","subitem_subject_scheme":"Other"},{"subitem_subject":"朱(赤色)漆器","subitem_subject_scheme":"Other"},{"subitem_subject":"樹種","subitem_subject_scheme":"Other"},{"subitem_subject":"荒型","subitem_subject_scheme":"Other"},{"subitem_subject":"漆採取法","subitem_subject_scheme":"Other"},{"subitem_subject":"lacquered tableware","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"undercoat of persimmon tannin","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"red lacquerware","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"wood types","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"rough cut","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"lacquer-collecting technique","subitem_subject_language":"en","subitem_subject_scheme":"Other"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"中世漆器の技術転換と社会の動向","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"中世漆器の技術転換と社会の動向","subitem_title_language":"ja"},{"subitem_title":"Transition of Lacquering Techniques and Social Dynamics in Medieval Japan","subitem_title_language":"en"}]},"item_type_id":"10002","owner":"3","path":["235"],"pubdate":{"attribute_name":"PubDate","attribute_value":"2019-03-29"},"publish_date":"2019-03-29","publish_status":"0","recid":"2401","relation_version_is_last":true,"title":["中世漆器の技術転換と社会の動向"],"weko_creator_id":"3","weko_shared_id":-1},"updated":"2023-07-26T00:28:12.808818+00:00"}