@article{oai:rekihaku.repo.nii.ac.jp:00000255,
 author = {近藤,  好和 and Kondo,  Yoshikazu},
 journal = {国立歴史民俗博物館研究報告, Bulletin of the National Museum of Japanese History},
 month = {Mar},
 note = {application/pdf, 近年の研究で大永五年（一五二五）の制作であることが解明された、国立歴史民俗 博物館所蔵の『洛中洛外図屏風』歴博甲本（以下、｢甲本｣とする）の右隻第五扇･ 第六扇には、当時の内裏である土御門内裏が描かれ、その紫宸殿前には男子の正装で ある束帯姿の公卿と考えられる人物が一名立っている。これはなんらかの行事の場面 と考えられる。
『洛中洛外図屏風』の右隻第五扇･第六扇は正月から二月の場面であり、第五扇に 渡るが、その行事は正月行事であるに相違ない。しかし、従来、それが何の行事であ るかの研究はなされてこなかったし、甲本の内裏そのものの研究もほとんどなされて こなかった。
そこで、本稿では、その人物の装束である束帯、内裏内の立つ位置、さらに一人で 立つ、という三要素を各章に分けて詳細に分析し、甲本の正月行事が、正月節会（そ のうちの特に元日節会）の内弁謝座の場面を描いたということを考察した。併せて、 甲本の内裏に描かれている建物･施設について、文献や指図から判明する実際の土御 門内裏、および甲本と同じく初期『洛中洛外図屏風』と一括される東博模本･上杉本 の内裏の建物･施設との詳細な校合を試みた。, Screens five and six of the Rekihaku Kohon “Folding Screens of Scenes In and Around Kyoto” (hereinafter referred to as “Kohon”), which are owned by the National Museum of Japanese History and whose production recent research has clarified to date from 1525, show the Imperial Palace of the time – the Imperial Palace of Emperor Tsuchimikado – and, standing before the hall for state ceremonies, a young man thought to be a court noble dressed in full sokutai ceremonial court dress. This suggests the scene of some kinds of events.
Screens five and six of the “Folding Screens of Scenes In and Around Kyoto” show scenes from New Year to February, and there is no doubt that screen five depicts New Year events. Up until now, however, there had been no research conducted into what these events were, and there had been hardly any research conducted into the Imperial Palace of Kohon itself.
Therefore, this paper has performed detailed analysis of three factors – namely the sokutai ceremonial court dress worn by the man depicted, his position within the Imperial Palace, and the fact that he stands alone – according a dedicated chapter to each of these factors, and has made an inquiry into the notion that the New Year events of the Kohon depict the scene of a New Year seasonal court banquet (and in particular, a seasonal court banquet held on New Year's Day) for an Naiben Shaza. Accordingly, we attempted a detailed examination and comparison of the buildings and facilities drawn in the Imperial Palace of the Kohon, identified from books and instructions as being the Imperial Palace of Emperor Tsuchimikado, as well as the buildings and facilities of the Imperial Palace depicted in the Tohaku reproduction /Uesugi-bon, which are bundled together with the same early “Folding Screens of Scenes In and Around Kyoto” as the Kohon., 一部非公開情報あり},
 pages = {331--352},
 title = {『洛中洛外図屏風』歴博甲本にみえる内裏とその行事},
 volume = {178},
 year = {2012},
 yomi = {コンドウ, ヨシカズ}
}