{"created":"2023-05-15T14:47:30.395668+00:00","id":2729,"links":{},"metadata":{"_buckets":{"deposit":"a718df3a-e0b4-423b-bc6f-c4f788c70c09"},"_deposit":{"created_by":3,"id":"2729","owners":[3],"pid":{"revision_id":0,"type":"depid","value":"2729"},"status":"published"},"_oai":{"id":"oai:rekihaku.repo.nii.ac.jp:00002729","sets":["21:254"]},"author_link":["7036","7037"],"control_number":"2729","item_10002_biblio_info_7":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2021-03-31","bibliographicIssueDateType":"Issued"},"bibliographicPageEnd":"37","bibliographicPageStart":"11","bibliographicVolumeNumber":"225","bibliographic_titles":[{"bibliographic_title":"国立歴史民俗博物館研究報告","bibliographic_titleLang":"ja"},{"bibliographic_title":"Bulletin of the National Museum of Japanese History","bibliographic_titleLang":"en"}]}]},"item_10002_description_19":{"attribute_name":"フォーマット","attribute_value_mlt":[{"subitem_description":"application/pdf","subitem_description_type":"Other"}]},"item_10002_description_5":{"attribute_name":"抄録","attribute_value_mlt":[{"subitem_description":"本論文では，縄文時代の漆文化の起源をめぐる研究史について，1926年から2010年代まで歴史を整理した。縄文時代の編年的な位置づけが定まらない1930年代には，是川遺跡に代表される縄文時代晩期の東北地方の漆文化は，平泉文化の影響を受けて成立したものという考えがあった。1940年代に唐古遺跡で弥生時代の漆文化の存在が確認されて以降，中国の漢文化の影響を受けた弥生文化から伝わったという意見もあった。1960年代以降，照葉樹林文化論の提唱を受け，縄文時代の漆文化は大陸から各種の栽培植物とともに伝わったという見方も広がった。1980年代には，中国新石器文化と縄文文化との共通の起源を想定する共通起源説も登場した。これらはいずれも縄文時代の漆文化を列島外から来たとする伝播論である。一方，加茂遺跡の縄文時代前期の漆器の出土を考慮して，1960年代には縄文時代の漆文化自生説も登場する。その後，1990年代には縄文文化の独自性や縄文時代の漆文化の成熟度を重視する研究者から，自生説が主張されるようになる。2000年の垣ノ島B遺跡の発見，2007年の鳥浜貝塚の最古のウルシ材の存在の確認によって，縄文時代の漆文化自生説は力を増した。しかし，垣ノ島B遺跡の年代は信頼性が担保されていないこと，また垣ノ島B遺跡の事例を除外すると，中国の河姆渡文化の漆製品は日本列島の縄文時代早期末の漆器と同等かそれ以上の古さを持っていることを年代学的に検証し，改めて縄文時代の漆文化の起源が大陸からの伝来であった可能性を考慮する必要性があることを論じた。","subitem_description_type":"Abstract"},{"subitem_description":"This paper discusses the history of research conducted from 1926 to the 2010s concerning the origin of the lacquer culture in the Jomon period. In the 1930s, when the chronological position of the Jomon period was undecided, there was a theory that the lacquer culture in the Tohoku region at the end of the Jomon period, which is represented by the Korekawa Site, was established under the influence of the Hiraizumi Culture. The existence of a lacquer culture in the Yayoi period confirmed at the Karako Site in the 1940s led to the view that it was brought from the Yayoi period under the influence of the Chinese Han Culture. Beginning in the 1960s, as the theory of East Asia broadleaved evergreen forest culture was advocated, and there was a widespread view that the lacquer culture in the Jomon period was brought from Mainland China along with various cultivated plants. In the 1980s, the common origin theory, which hypothesized a common origin of the Chinese Neolithic culture and Jomon culture, also appeared. Diffusion theories argued that the lacquer culture in the Jomon period was brought from outside the Japanese archipelago. In contrast, in consideration of the excavation at the Kamo Site of lacquerware made during the early Jomon period, the “indigenous” theory of lacquer culture in the Jomon period also appeared in the 1960s. Then, in the 1990s, researchers who focused on the uniqueness of Jomon culture and the maturity of the lacquer culture in the Jomon period began to advocate the “indigenous” theory. The discovery of the Kakinoshima B Site in 2000 and the confirmation of the existence of the oldest lacquer tree remain at the Torihama shell mound in 2007 strengthened the theory of indigenous lacquer culture in the Jomon period. However, the reliability of the dating of the Kakinoshima B Site is not guaranteed. Moreover, excluding the case of the Kakinoshima B Site, this paper argues that it is essential to chronologically verify that the lacquerware products of the Hemudu Culture in China are as old or older than the lacquerware products made at the end of the Jomon period in Japan and reconsider the possibility that the origin of the lacquer culture in the Jomon period may have been brought from Mainland China.","subitem_description_type":"Abstract"}]},"item_10002_heading_23":{"attribute_name":"見出し","attribute_value_mlt":[{"subitem_heading_banner_headline":"[共同研究] 学際的研究による漆文化史の新構築","subitem_heading_language":"ja"},{"subitem_heading_banner_headline":"[Collaborative Research] New Organization of Japanese Lacquer Culture History Through an Interdisciplinary Study","subitem_heading_language":"en"}]},"item_10002_publisher_8":{"attribute_name":"出版者","attribute_value_mlt":[{"subitem_publisher":"国立歴史民俗博物館","subitem_publisher_language":"ja"}]},"item_10002_relation_17":{"attribute_name":"関連サイト","attribute_value_mlt":[{"subitem_relation_name":[{"subitem_relation_name_text":"第225集 収録論文 タイトルリスト"}],"subitem_relation_type_id":{"subitem_relation_type_id_text":"https://www.rekihaku.ac.jp/outline/publication/ronbun/ronbun9/index.html#no225","subitem_relation_type_select":"URI"}}]},"item_10002_source_id_11":{"attribute_name":"書誌レコードID","attribute_value_mlt":[{"subitem_source_identifier":"AN00377607","subitem_source_identifier_type":"NCID"}]},"item_10002_source_id_9":{"attribute_name":"ISSN","attribute_value_mlt":[{"subitem_source_identifier":"0286-7400","subitem_source_identifier_type":"PISSN"}]},"item_10002_version_type_20":{"attribute_name":"著者版フラグ","attribute_value_mlt":[{"subitem_version_resource":"http://purl.org/coar/version/c_970fb48d4fbd8a85","subitem_version_type":"VoR"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"工藤, 雄一郎","creatorNameLang":"ja"},{"creatorName":"クドウ, ユウイチロウ","creatorNameLang":"ja-Kana"}],"nameIdentifiers":[{}]},{"creatorNames":[{"creatorName":"Kudo, Yuichiro","creatorNameLang":"en"}],"nameIdentifiers":[{}]}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_date","date":[{"dateType":"Available","dateValue":"2022-04-01"}],"displaytype":"detail","filename":"kenkyuhokoku_225_02.pdf","filesize":[{"value":"2.7 MB"}],"format":"application/pdf","licensetype":"license_note","mimetype":"application/pdf","url":{"label":"kenkyuhokoku_225_02.pdf","url":"https://rekihaku.repo.nii.ac.jp/record/2729/files/kenkyuhokoku_225_02.pdf"},"version_id":"0e42cb36-a6cc-4695-8b73-e5650e2ac63d"}]},"item_keyword":{"attribute_name":"キーワード","attribute_value_mlt":[{"subitem_subject":"縄文時代","subitem_subject_scheme":"Other"},{"subitem_subject":"漆文化の起源","subitem_subject_scheme":"Other"},{"subitem_subject":"ウルシ","subitem_subject_scheme":"Other"},{"subitem_subject":"放射性炭素年代測定","subitem_subject_scheme":"Other"},{"subitem_subject":"河姆渡文化","subitem_subject_scheme":"Other"},{"subitem_subject":"Jomon period","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"origin of the lacquer culture","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"lacquer tree (Toxicodendron vernicifluum)","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"Radiocarbon dating","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"Hemudu Culture","subitem_subject_language":"en","subitem_subject_scheme":"Other"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"[論文] 縄文時代の漆文化とその起源に関する諸問題 : 学史的視点から今日的課題へ","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"[論文] 縄文時代の漆文化とその起源に関する諸問題 : 学史的視点から今日的課題へ","subitem_title_language":"ja"},{"subitem_title":"[Article] Questions Concerning Lacquer Culture in the Jomon Period and its Origin : From Historical Perspectives to Contemporary Challenges","subitem_title_language":"en"}]},"item_type_id":"10002","owner":"3","path":["254"],"pubdate":{"attribute_name":"PubDate","attribute_value":"2022-04-01"},"publish_date":"2022-04-01","publish_status":"0","recid":"2729","relation_version_is_last":true,"title":["[論文] 縄文時代の漆文化とその起源に関する諸問題 : 学史的視点から今日的課題へ"],"weko_creator_id":"3","weko_shared_id":-1},"updated":"2023-08-11T02:29:44.745402+00:00"}