{"created":"2023-05-15T14:47:34.065645+00:00","id":2814,"links":{},"metadata":{"_buckets":{"deposit":"6c9ffb61-d967-48b0-a922-e0440e36ff50"},"_deposit":{"created_by":3,"id":"2814","owners":[3],"pid":{"revision_id":0,"type":"depid","value":"2814"},"status":"published"},"_oai":{"id":"oai:rekihaku.repo.nii.ac.jp:00002814","sets":["21:259"]},"author_link":["7499","7500"],"control_number":"2814","item_10002_biblio_info_7":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2021-12-25","bibliographicIssueDateType":"Issued"},"bibliographicPageEnd":"37","bibliographicPageStart":"15","bibliographicVolumeNumber":"230","bibliographic_titles":[{"bibliographic_title":"国立歴史民俗博物館研究報告","bibliographic_titleLang":"ja"},{"bibliographic_title":"Bulletin of the National Museum of Japanese History","bibliographic_titleLang":"en"}]}]},"item_10002_description_19":{"attribute_name":"フォーマット","attribute_value_mlt":[{"subitem_description":"application/pdf","subitem_description_type":"Other"}]},"item_10002_description_5":{"attribute_name":"抄録","attribute_value_mlt":[{"subitem_description":"国立歴史民俗博物館所蔵「太平記絵詞」（上・中・下）は、埼玉県立歴史と民俗の博物館所蔵「太平記絵巻」（第一、二、六、七、十巻）、ニューヨーク・パブリック・ライブラリー、スペンサー・コレクションの「太平記絵巻」（第三、八巻）と本来一具の作品で、同絵巻の第五、十一、十二巻に該当し、江戸時代十七世紀の制作と考えられている。『太平記』は南北朝の争乱を題材とした四十巻からなる軍記物語で、本稿で扱う「太平記絵巻」は全十二巻で構成され、現存最古の絵画化された作例として知られる。その画面の構図やモティーフは先行する時代の絵巻物に拠っていることが指摘されており、特に「俵藤太絵巻」は多くの共通点を見出すことができる。「太平記絵巻」の作者は海北友雪（一五九八〜一六七七）とする説が有力となっているが、確かな証左は得られていない。\n本稿では現存する「太平記絵巻」の十巻全体を通じて、色注や各種の指示書きが見られることを紹介し、その制作工程について考察する。具体的には緑色を示す「六」、青色を示す「こん」、赤色を示す「しゆ」、橙色を示す「たん」の四種類の色についての指示書きや、畳や縁などの調度類についての墨書が数多く確認された。こうした周到な指図の痕跡から、この「太平記絵巻」には粉本が存在し、複数の絵師によって制作されたことを明らかにした。また絵の中に詞書が書き込まれ、本来重要であるはずの詞書が絵に対して従属的すぎる点、また文献資料で確認できる、三十巻本の海北友雪の筆による「太平記絵巻」がかつて存在していたという記述から、本来は詞書と絵とそれぞれが独立しており、現存する「太平記絵巻」はその省略形として制作されたものである可能性について指摘した。","subitem_description_type":"Abstract"},{"subitem_description":"The Taiheiki is a war chronicle set in Japan’s Namboku-cho period and consists of 40 volumes. The Taiheiki Emaki is an illustration of the Taiheiki and is known as the oldest set of picture scrolls of its kind. It was originally a set of twelve volumes drawn in the middle of the 17th century. Currently, only ten of those remain. The scrolls belonging to the collection of the National Museum of Japanese History are thought to be a part of this set (volumes 5, 11, and 12). The set also constitutes the scrolls belonging to the collection of the Saitama Prefectural Museum of History and Folklore (volumes 1, 2, 6, 7, and 10) and the Spencer Collection of New York Public Library (volumes 3 and 8). It has been pointed out that the compositions and motifs have been quoted from major picture scrolls of the previous age; there are many similarities with the picture scrolls of Tawara-no-Tota. Taiheiki Emaki is attributed to Kaihō Yūsetsu (1598–1677), but there is no proof.\nThis paper introduces instructional inscriptions about the colors and motifs across the ten volumes of Taiheiki Emaki and examines the process of making the scrolls. Specifically, the instructions with regard to colors such as “roku” (green), “kon” (blue), “shu” (red), and “tan” (orange) and indications of architectural components such as “tatami” (a Japanese mat) and “heri” (the edges of a tatami) are recognized. These careful inscriptions on the scrolls prove the existence of an earlier version of the painting, and several painters were involved in this production. Furthermore, the text, which is more important than the paintings, seems to have been disregarded, and there was a historical document written. Kaihō Yūsetsu made a thirty-volume Taiheiki Emaki, suggesting that the text and illustrations were independently present in the original version. The examined set of Taiheiki Emaki could be an abridged version of the original.","subitem_description_type":"Abstract"}]},"item_10002_heading_23":{"attribute_name":"見出し","attribute_value_mlt":[{"subitem_heading_banner_headline":"[共同研究] 日本近世における彩色の技法と材料の受容と変遷に関する研究","subitem_heading_language":"ja"},{"subitem_heading_banner_headline":"[Collaborative Research] Research on the Acceptance and Changes of Japanese Early Modern Painting Techniques and Materials","subitem_heading_language":"en"}]},"item_10002_publisher_8":{"attribute_name":"出版者","attribute_value_mlt":[{"subitem_publisher":"国立歴史民俗博物館","subitem_publisher_language":"ja"}]},"item_10002_relation_17":{"attribute_name":"関連サイト","attribute_value_mlt":[{"subitem_relation_name":[{"subitem_relation_name_text":"第230集 収録論文 タイトルリスト"}],"subitem_relation_type_id":{"subitem_relation_type_id_text":"https://www.rekihaku.ac.jp/outline/publication/ronbun/ronbun10/index.html#no230","subitem_relation_type_select":"URI"}}]},"item_10002_source_id_11":{"attribute_name":"書誌レコードID","attribute_value_mlt":[{"subitem_source_identifier":"AN00377607","subitem_source_identifier_type":"NCID"}]},"item_10002_source_id_9":{"attribute_name":"ISSN","attribute_value_mlt":[{"subitem_source_identifier":"0286-7400","subitem_source_identifier_type":"PISSN"}]},"item_10002_version_type_20":{"attribute_name":"著者版フラグ","attribute_value_mlt":[{"subitem_version_resource":"http://purl.org/coar/version/c_970fb48d4fbd8a85","subitem_version_type":"VoR"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"江村, 知子","creatorNameLang":"ja"},{"creatorName":"エムラ, トモコ","creatorNameLang":"ja-Kana"}],"nameIdentifiers":[{}]},{"creatorNames":[{"creatorName":"EMURA, Tomoko","creatorNameLang":"en"}],"nameIdentifiers":[{}]}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_date","date":[{"dateType":"Available","dateValue":"2023-03-31"}],"displaytype":"detail","filename":"kenkyuhokoku_230_03.pdf","filesize":[{"value":"4.6 MB"}],"format":"application/pdf","licensetype":"license_note","mimetype":"application/pdf","url":{"label":"kenkyuhokoku_230_03.pdf","url":"https://rekihaku.repo.nii.ac.jp/record/2814/files/kenkyuhokoku_230_03.pdf"},"version_id":"3a98892c-a060-40df-9bd7-38881379a2a5"}]},"item_keyword":{"attribute_name":"キーワード","attribute_value_mlt":[{"subitem_subject":"海北友雪","subitem_subject_scheme":"Other"},{"subitem_subject":"俵藤太絵巻","subitem_subject_scheme":"Other"},{"subitem_subject":"軍記物","subitem_subject_scheme":"Other"},{"subitem_subject":"Kaihō Yūsetsu","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"Tawara-no-Tōta emaki","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"War chronicle","subitem_subject_language":"en","subitem_subject_scheme":"Other"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"[論文] 太平記絵巻の制作工程について : 色注の考察を中心に","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"[論文] 太平記絵巻の制作工程について : 色注の考察を中心に","subitem_title_language":"ja"},{"subitem_title":"[Article] The Process of Making the Taiheiki Picture Scrolls","subitem_title_language":"en"}]},"item_type_id":"10002","owner":"3","path":["259"],"pubdate":{"attribute_name":"PubDate","attribute_value":"2023-03-31"},"publish_date":"2023-03-31","publish_status":"0","recid":"2814","relation_version_is_last":true,"title":["[論文] 太平記絵巻の制作工程について : 色注の考察を中心に"],"weko_creator_id":"3","weko_shared_id":-1},"updated":"2023-07-21T08:01:19.387828+00:00"}