{"created":"2023-05-15T14:47:34.231259+00:00","id":2818,"links":{},"metadata":{"_buckets":{"deposit":"1e1639a4-4bdc-4947-a9af-aead49b2d174"},"_deposit":{"created_by":3,"id":"2818","owners":[3],"pid":{"revision_id":0,"type":"depid","value":"2818"},"status":"published"},"_oai":{"id":"oai:rekihaku.repo.nii.ac.jp:00002818","sets":["21:259"]},"author_link":["7507","7508","7509","7510"],"control_number":"2818","item_10002_biblio_info_7":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2021-12-25","bibliographicIssueDateType":"Issued"},"bibliographicPageEnd":"134","bibliographicPageStart":"93","bibliographicVolumeNumber":"230","bibliographic_titles":[{"bibliographic_title":"国立歴史民俗博物館研究報告","bibliographic_titleLang":"ja"},{"bibliographic_title":"Bulletin of the National Museum of Japanese History","bibliographic_titleLang":"en"}]}]},"item_10002_description_19":{"attribute_name":"フォーマット","attribute_value_mlt":[{"subitem_description":"application/pdf","subitem_description_type":"Other"}]},"item_10002_description_5":{"attribute_name":"抄録","attribute_value_mlt":[{"subitem_description":"仏教の崇拝対象として造像されてきた木製の仏像のほとんどは、漆箔や彩色などで加飾されている。近世の仏像の表面加飾は、その多くが製作当初の状態で今日まで伝えられているものの、膠を主とする膠着材と高湿度な日本の環境に起因してか、剥離や剥落などの損傷が生じ始めており、修復の必要性が高まっている状況である。それらの近世仏を保存修復していく際には、対象となる仏像に使用されている材料の特定や劣化損傷要因の把握が不可欠であり、近世の仏教彫刻史の研究や製作背景などの検証もまた、仏像文化財の歴史的、文化的意義を図るために重要である。ところが近世の仏像に関しては、これまで美術史的価値の評価が低く見られてきたがゆえに、仏教彫刻史的研究や技法材料的研究が十分になされていないのが現状である。\n本研究では、従来の研究において見過ごされがちであった江戸時代後期から明治時代に造像された仏像に焦点をあて、近世から近代にいたる仏像の造像に関する歴史的背景を踏まえつつ、近世において仏像製作工房の主流を担った京都七条仏所の動向を軸に、江戸時代中期頃から乱立する京都町仏師の活動を交えながら明治期以降の京都仏師の衰退を概観した。一方で、元禄時代以降に発達した西廻り航路と最上川舟運によって京都と密接に交流した山形に注目し、山形での京都七条仏師の活躍や地方仏師による仏像を対象にしたフィールドワークをおこなった。そして享保、寛政頃を機に緊縮財政の影響を受けて大きく変容する京都の仏像製作業界の動向と、流通の発達によって活性化した山形と京都との交易に起因して発展した地方経済を背景として、山形で展開した京都仏師と地方仏師の仏像製作の変遷についての考察を、近世から近代にいたる仏像の色材研究に資する調査対象作例の紹介を軸にすえて論じた。","subitem_description_type":"Abstract"},{"subitem_description":"Most wooden Buddhist sculptures made for worship were decorated with gold leaves and/or colorful paints. Such surface decorations on sculptures from the Early Modern period have mostly survived. However, there are small areas where paint has peeled off or has been lost over time. The use of animal glue as an adhesive or Japan’s humid climate could have influenced the degradation. Naturally, some of these degradations require conservation treatment. It is necessary for conservators to know the materials, causes of degradation, history of Buddhist sculptures, and the intention behind their creation. However, modern Buddhist sculptures have not been properly evaluated from the perspective of art history; there is not enough research on the history of modern Buddhist sculptures, their materials, or the technology used.\nThis study focuses on the history of modern sculptures made by two groups of sculptors. The first, Kyoto-Shichijo Bussho, is an authentic Buddhist sculpture studio, and the second is a local studio in Yamagata Prefecture. Throughout the Edo period, the Kyoto-Shichijo studio was a major Buddhist sculpture studio. There were also many private sculptors in Kyoto, whose numbers increased in the middle of the Edo period. However, both sculptor groups of Kyoto gradually declined over time. In contrast, local sculptors came up and became active in their respective areas in the middle of the Edo period. The Yamagata region, which flourished after the Genroku era (1688–1704) because of domestic trade, was selected as a representative local area for fieldwork since the region had economic ties with Kyoto. In this region, we can find Buddhist sculptures made by both Kyoto and local sculptors. In the Kyoho and Kansei eras (1716–1801), an economic crisis severely influenced the Buddhist sculpture’s manufacturing society. First, the historical stream of Kyoto sculptors is overviewed. Then, the study describes the activities of local sculptors in the Yamagata region through their works. Development of technologies and their relation to Kyoto sculptors were investigated along with the historical background of manufacturing.","subitem_description_type":"Abstract"}]},"item_10002_heading_23":{"attribute_name":"見出し","attribute_value_mlt":[{"subitem_heading_banner_headline":"[共同研究] 日本近世における彩色の技法と材料の受容と変遷に関する研究","subitem_heading_language":"ja"},{"subitem_heading_banner_headline":"[Collaborative Research] Research on the Acceptance and Changes of Japanese Early Modern Painting Techniques and Materials","subitem_heading_language":"en"}]},"item_10002_publisher_8":{"attribute_name":"出版者","attribute_value_mlt":[{"subitem_publisher":"国立歴史民俗博物館","subitem_publisher_language":"ja"}]},"item_10002_relation_17":{"attribute_name":"関連サイト","attribute_value_mlt":[{"subitem_relation_name":[{"subitem_relation_name_text":"第230集 収録論文 タイトルリスト"}],"subitem_relation_type_id":{"subitem_relation_type_id_text":"https://www.rekihaku.ac.jp/outline/publication/ronbun/ronbun10/index.html#no230","subitem_relation_type_select":"URI"}}]},"item_10002_source_id_11":{"attribute_name":"書誌レコードID","attribute_value_mlt":[{"subitem_source_identifier":"AN00377607","subitem_source_identifier_type":"NCID"}]},"item_10002_source_id_9":{"attribute_name":"ISSN","attribute_value_mlt":[{"subitem_source_identifier":"0286-7400","subitem_source_identifier_type":"PISSN"}]},"item_10002_version_type_20":{"attribute_name":"著者版フラグ","attribute_value_mlt":[{"subitem_version_resource":"http://purl.org/coar/version/c_970fb48d4fbd8a85","subitem_version_type":"VoR"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"岡田, 靖","creatorNameLang":"ja"},{"creatorName":"オカダ, ヤスシ","creatorNameLang":"ja-Kana"}],"nameIdentifiers":[{}]},{"creatorNames":[{"creatorName":"長谷, 洋一","creatorNameLang":"ja"},{"creatorName":"ハセ, ヨウイチ","creatorNameLang":"ja-Kana"}],"nameIdentifiers":[{}]},{"creatorNames":[{"creatorName":"OKADA, Yasushi","creatorNameLang":"en"}],"nameIdentifiers":[{}]},{"creatorNames":[{"creatorName":"HASE, Youichi","creatorNameLang":"en"}],"nameIdentifiers":[{}]}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_date","date":[{"dateType":"Available","dateValue":"2023-03-31"}],"displaytype":"detail","filename":"kenkyuhokoku_230_07.pdf","filesize":[{"value":"5.9 MB"}],"format":"application/pdf","licensetype":"license_note","mimetype":"application/pdf","url":{"label":"kenkyuhokoku_230_07.pdf","url":"https://rekihaku.repo.nii.ac.jp/record/2818/files/kenkyuhokoku_230_07.pdf"},"version_id":"2936b44f-6805-4feb-94e3-208115650c27"}]},"item_keyword":{"attribute_name":"キーワード","attribute_value_mlt":[{"subitem_subject":"七条左京","subitem_subject_scheme":"Other"},{"subitem_subject":"京都町仏師","subitem_subject_scheme":"Other"},{"subitem_subject":"近世仏像の終焉","subitem_subject_scheme":"Other"},{"subitem_subject":"畑治郎右衛門","subitem_subject_scheme":"Other"},{"subitem_subject":"地方仏師","subitem_subject_scheme":"Other"},{"subitem_subject":"山形県","subitem_subject_scheme":"Other"},{"subitem_subject":"Shichijo Sakyo","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"Buddhist sculptors in Kyoto","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"End of Buddhist sculptures of early modern times","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"Local Buddhist sculptors","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"HATA Jirouemon","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"Yamagata prefecture","subitem_subject_language":"en","subitem_subject_scheme":"Other"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"[論文] 江戸時代から明治期における京仏師と地方仏師","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"[論文] 江戸時代から明治期における京仏師と地方仏師","subitem_title_language":"ja"},{"subitem_title":"[Article] Buddhist Sculptors in Kyoto and Local Sculptors in the Edo and Meiji Periods","subitem_title_language":"en"}]},"item_type_id":"10002","owner":"3","path":["259"],"pubdate":{"attribute_name":"PubDate","attribute_value":"2023-03-31"},"publish_date":"2023-03-31","publish_status":"0","recid":"2818","relation_version_is_last":true,"title":["[論文] 江戸時代から明治期における京仏師と地方仏師"],"weko_creator_id":"3","weko_shared_id":-1},"updated":"2023-07-21T08:11:09.158769+00:00"}