{"created":"2023-05-15T14:47:34.276139+00:00","id":2819,"links":{},"metadata":{"_buckets":{"deposit":"99627563-689d-4960-a530-b5c36db53e41"},"_deposit":{"created_by":3,"id":"2819","owners":[3],"pid":{"revision_id":0,"type":"depid","value":"2819"},"status":"published"},"_oai":{"id":"oai:rekihaku.repo.nii.ac.jp:00002819","sets":["21:259"]},"author_link":["7511","7512","7513","7514"],"control_number":"2819","item_10002_biblio_info_7":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2021-12-25","bibliographicIssueDateType":"Issued"},"bibliographicPageEnd":"167","bibliographicPageStart":"135","bibliographicVolumeNumber":"230","bibliographic_titles":[{"bibliographic_title":"国立歴史民俗博物館研究報告","bibliographic_titleLang":"ja"},{"bibliographic_title":"Bulletin of the National Museum of Japanese History","bibliographic_titleLang":"en"}]}]},"item_10002_description_19":{"attribute_name":"フォーマット","attribute_value_mlt":[{"subitem_description":"application/pdf","subitem_description_type":"Other"}]},"item_10002_description_5":{"attribute_name":"抄録","attribute_value_mlt":[{"subitem_description":"江戸時代後期になると、それまで京都を中心に行われてきた仏像の造像活動が、地方においても盛んになる。これらの仏像には彩色が施されていることが多いものの、彩色の調査や色材分析の事例はそれほど多くない。この点に着目し、現在、山形県下に安置されている仏像群の彩色調査を行った。調査の対象は、いずれも一九世紀に造られた彩色の木彫像で、京都七条仏師による作から、その流れをくむ地方仏師らによって造られた仏像群である。\n前回の調査において、一九世紀前半の作例一件と明治時代に入ってからの作例二件の色材分析を実施したところ、明治時代の作例にのみ、一部の色で輸入の合成色材が使われていた。本調査では、一九世紀中頃から末期にかけて造られた彩色仏像群九件に使われた色材を明らかにしつつ、輸入色材の種類や導入期などを検討した。明治時代に入ってから造られた尊像にみられる明るめの緑と青には、それぞれ、岩緑青がエメラルドグリーン（アセト亜ヒ酸銅）に、天然藍が合成ウルトラマリンブルーに置き換わっていることが明らかとなった。一方で、色調の暗めの緑では、江戸時代と変わらずに黄色の石黄と藍色の色材が混合されたものが使われていた。同様に、赤や黄といった暖色系の色材も一九世紀を通してほぼ同じ色材が使われている。日本は、一九世紀の後半に諸外国との交易を正式に再開し、江戸時代から明治時代へと変わっていることを考慮すると、こうした社会的な変化が、彩色材料にも影響を及ぼしていたものと考えられる。一方で、他の色材は江戸時代にも使われていたものであり、すでに輸入されていた色材、たとえばプルシアンブルーが単色で使われた例は認められていない。本稿では、色材分析の結果をもとに、一九世紀の彩色仏像に用いられた色材について、輸入色材のみでなく、在来のものも含めて概観した。","subitem_description_type":"Abstract"},{"subitem_description":"The production of Buddhist sculptures, which were mostly limited to Kyoto, expanded to local regions in the late Edo period. Many of them have been painted over, but there are only a few case studies of painting techniques and materials. These techniques and materials used for Buddhist sculptures in Yamagata Prefecture were investigated. All sculptures were made of wood and painted in the 19th century by sculptors in Kyoto or Yamagata, who belonged to the same school.\nThe preliminary investigation consisted of three case studies: the first group’s sculptures were made in the early 19th century, and the other two groups’ sculptures were made in the Meiji period. Synthetic colorants were used only in the latter two groups. In this study, we elucidate the colorants used in nine groups of Buddhist sculptures that were made between the middle and the end of the 19th century. In addition, we discuss the types of colorants and when they were imported. The green and blue areas of the sculptures made during the Meiji period differed from those in the Edo period. Green was used as Iwa-rokusho (mineral green; usually malachite), and it replaced emerald green (copper aceto-arsenate (III)). An indigo-based colorant was used as shade of blue, and synthetic ultramarine blue was replaced. In contrast, the dark green colorant did not change after the Meiji period, which is a mixture of orpiment and indigo-hue colorants. In addition, warm colors such as red and yellow stayed in use in the 19th century. In the second half of the 19th century, Japanese ports reopened and trade with foreign countries began. There was also a major social change when the Edo period ended and Meiji began. These changes must have influenced the colorants used, while not all colorants, which had already been introduced in Japan, were found in the sculptures. For instance, Prussian blue was found only in a certain mixture of pigments and not independently. This paper provides an overview of the colorants, including the seemingly traditional ones used in the Buddhist polychrome sculptures of the 19th century.","subitem_description_type":"Abstract"}]},"item_10002_heading_23":{"attribute_name":"見出し","attribute_value_mlt":[{"subitem_heading_banner_headline":"[共同研究] 日本近世における彩色の技法と材料の受容と変遷に関する研究","subitem_heading_language":"ja"},{"subitem_heading_banner_headline":"[Collaborative Research] Research on the Acceptance and Changes of Japanese Early Modern Painting Techniques and Materials","subitem_heading_language":"en"}]},"item_10002_publisher_8":{"attribute_name":"出版者","attribute_value_mlt":[{"subitem_publisher":"国立歴史民俗博物館","subitem_publisher_language":"ja"}]},"item_10002_relation_17":{"attribute_name":"関連サイト","attribute_value_mlt":[{"subitem_relation_name":[{"subitem_relation_name_text":"第230集 収録論文 タイトルリスト"}],"subitem_relation_type_id":{"subitem_relation_type_id_text":"https://www.rekihaku.ac.jp/outline/publication/ronbun/ronbun10/index.html#no230","subitem_relation_type_select":"URI"}}]},"item_10002_source_id_11":{"attribute_name":"書誌レコードID","attribute_value_mlt":[{"subitem_source_identifier":"AN00377607","subitem_source_identifier_type":"NCID"}]},"item_10002_source_id_9":{"attribute_name":"ISSN","attribute_value_mlt":[{"subitem_source_identifier":"0286-7400","subitem_source_identifier_type":"PISSN"}]},"item_10002_version_type_20":{"attribute_name":"著者版フラグ","attribute_value_mlt":[{"subitem_version_resource":"http://purl.org/coar/version/c_970fb48d4fbd8a85","subitem_version_type":"VoR"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"島津, 美子","creatorNameLang":"ja"},{"creatorName":"シマヅ, ヨシコ","creatorNameLang":"ja-Kana"}],"nameIdentifiers":[{"nameIdentifier":"7511","nameIdentifierScheme":"WEKO"}]},{"creatorNames":[{"creatorName":"岡田, 靖","creatorNameLang":"ja"},{"creatorName":"オカダ, ヤスシ","creatorNameLang":"ja-Kana"}],"nameIdentifiers":[{"nameIdentifier":"7512","nameIdentifierScheme":"WEKO"}]},{"creatorNames":[{"creatorName":"SHIMADZU, Yoshiko","creatorNameLang":"en"}],"nameIdentifiers":[{"nameIdentifier":"7513","nameIdentifierScheme":"WEKO"}]},{"creatorNames":[{"creatorName":"OKADA, Yasushi","creatorNameLang":"en"}],"nameIdentifiers":[{"nameIdentifier":"7514","nameIdentifierScheme":"WEKO"}]}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_date","date":[{"dateType":"Available","dateValue":"2023-03-31"}],"displaytype":"detail","filename":"kenkyuhokoku_230_08.pdf","filesize":[{"value":"3.2 MB"}],"format":"application/pdf","licensetype":"license_note","mimetype":"application/pdf","url":{"label":"kenkyuhokoku_230_08.pdf","url":"https://rekihaku.repo.nii.ac.jp/record/2819/files/kenkyuhokoku_230_08.pdf"},"version_id":"e472adca-eab0-463f-8240-5a6cbd31dbff"}]},"item_keyword":{"attribute_name":"キーワード","attribute_value_mlt":[{"subitem_subject":"彩色仏像","subitem_subject_scheme":"Other"},{"subitem_subject":"一九世紀","subitem_subject_scheme":"Other"},{"subitem_subject":"山形県","subitem_subject_scheme":"Other"},{"subitem_subject":"合成ウルトラマリンブルー","subitem_subject_scheme":"Other"},{"subitem_subject":"エメラルドグリーン","subitem_subject_scheme":"Other"},{"subitem_subject":"Polychrome Buddhist Sculptures","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"19th Century","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"Yamagata Prefecture","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"Synthetic ultramarine blue","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"Emerald green","subitem_subject_language":"en","subitem_subject_scheme":"Other"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"[論文] 近世・近代の木彫仏像に施された彩色の技法と色材 : 山形県下に安置されている諸尊像の事例","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"[論文] 近世・近代の木彫仏像に施された彩色の技法と色材 : 山形県下に安置されている諸尊像の事例","subitem_title_language":"ja"},{"subitem_title":"[Article] Technical Study of Paint Materials in Buddhist Polychrome Wood Sculptures Made in 19th-Century Japan : Summary of Case Studies in Yamagata Prefecture","subitem_title_language":"en"}]},"item_type_id":"10002","owner":"3","path":["259"],"pubdate":{"attribute_name":"PubDate","attribute_value":"2023-03-31"},"publish_date":"2023-03-31","publish_status":"0","recid":"2819","relation_version_is_last":true,"title":["[論文] 近世・近代の木彫仏像に施された彩色の技法と色材 : 山形県下に安置されている諸尊像の事例"],"weko_creator_id":"3","weko_shared_id":-1},"updated":"2023-07-21T08:13:48.300121+00:00"}