{"created":"2023-05-15T14:47:34.358318+00:00","id":2821,"links":{},"metadata":{"_buckets":{"deposit":"561bc000-0cf4-4313-ba92-719c93a259a1"},"_deposit":{"created_by":3,"id":"2821","owners":[3],"pid":{"revision_id":0,"type":"depid","value":"2821"},"status":"published"},"_oai":{"id":"oai:rekihaku.repo.nii.ac.jp:00002821","sets":["21:259"]},"author_link":["7517","7518"],"control_number":"2821","item_10002_biblio_info_7":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2021-12-25","bibliographicIssueDateType":"Issued"},"bibliographicPageEnd":"213","bibliographicPageStart":"179","bibliographicVolumeNumber":"230","bibliographic_titles":[{"bibliographic_title":"国立歴史民俗博物館研究報告","bibliographic_titleLang":"ja"},{"bibliographic_title":"Bulletin of the National Museum of Japanese History","bibliographic_titleLang":"en"}]}]},"item_10002_description_19":{"attribute_name":"フォーマット","attribute_value_mlt":[{"subitem_description":"application/pdf","subitem_description_type":"Other"}]},"item_10002_description_5":{"attribute_name":"抄録","attribute_value_mlt":[{"subitem_description":"本稿では，青色色材が変化したとされる文政期以降の錦絵に着目し，青色箇所に用いられた色材が変化した際，青色を混色して彩色する緑色と紫色に用いられる青色色材も同様に変化するのかを検討するため，国立歴史民俗博物館に収蔵された錦絵37点に対して調査を実施した。調査には，光学顕微鏡による通常光と紫外線蛍光観察，蛍光エックス線分析法，可視光反射スペクトル分析法を用いた。\n結果，文政十二年（1829）の錦絵の青色箇所では，従来用いられていた天然染料の藍から，海外で製造された安価な合成顔料であるベロ（プルシアンブルー）が使われ始めることを確認した。青色と黄色の色材の混色によって表現される緑色箇所においては，錦絵の青色箇所にベロの使用が浸透していく中で，わずかな誤差を持ち，後を追うかたちで藍からベロへと変化し落ち着いた。しかし，青色と赤色の混色である紫色箇所においては，青色箇所の色材が藍からベロへと使用が変化した文政末以降も，その変化に影響を受けず，文久元年（1861）頃まで天然染料の藍や露草を青色色材として用いていた。しかし，慶応期頃から，従来の紫色に用いられていた赤色有機色材が使われなくなり，合成染料と思われる赤紫色の色材が利用されるようになると，長年紫色の表現に利用されていた露草や藍といった天然染料の青色色材が全く使用されなくなり，合成顔料であるベロが混色の色材として用いられるようになった。","subitem_description_type":"Abstract"},{"subitem_description":"This study investigates whether blue colorants used as blue colorants were also used to make green and purple colors. While we know that blue pigments were used, we did not have information about the exact colorants. The investigation focuses on Nishiki-e after the Bunsei era in which the blue colorant is deemed to have changed. A survey of 37 Nishiki-e pieces from the National Museum of Japanese History was conducted. Optical microscopy for ordinary light and ultraviolet fluorescence microscopy, X-ray fluorescence (XRF) analysis, and UV-visible reflectance spectroscopy were used.\nThe results confirmed that the blue areas of Nishiki-e made in Bunsei 12 (1829) used Prussian blue, an affordable, foreign synthetic pigment, in lieu of indigo, which is a traditionally used natural dye. It was only after the use of Prussian blue became widespread that it started being used with yellow to make green. Colorants from indigo and the Asiatic dayflower were used to make purple with red. This practice continued until the first year of the Bunkyū era (1861), unaffected by the transition to Prussian blue from indigo at the end of the Bunsei era. Organic red colorants that were traditionally used to make purple have fallen into disuse in favor of synthetic burgundy since the Keiō era. Similarly, as a colorant for mixed colors, the natural blue colorants used to make purple were replaced by the synthetic Prussian blue pigment.","subitem_description_type":"Abstract"}]},"item_10002_heading_23":{"attribute_name":"見出し","attribute_value_mlt":[{"subitem_heading_banner_headline":"[共同研究] 日本近世における彩色の技法と材料の受容と変遷に関する研究","subitem_heading_language":"ja"},{"subitem_heading_banner_headline":"[Collaborative Research] Research on the Acceptance and Changes of Japanese Early Modern Painting Techniques and Materials","subitem_heading_language":"en"}]},"item_10002_publisher_8":{"attribute_name":"出版者","attribute_value_mlt":[{"subitem_publisher":"国立歴史民俗博物館","subitem_publisher_language":"ja"}]},"item_10002_relation_17":{"attribute_name":"関連サイト","attribute_value_mlt":[{"subitem_relation_name":[{"subitem_relation_name_text":"第230集 収録論文 タイトルリスト"}],"subitem_relation_type_id":{"subitem_relation_type_id_text":"https://www.rekihaku.ac.jp/outline/publication/ronbun/ronbun10/index.html#no230","subitem_relation_type_select":"URI"}}]},"item_10002_source_id_11":{"attribute_name":"書誌レコードID","attribute_value_mlt":[{"subitem_source_identifier":"AN00377607","subitem_source_identifier_type":"NCID"}]},"item_10002_source_id_9":{"attribute_name":"ISSN","attribute_value_mlt":[{"subitem_source_identifier":"0286-7400","subitem_source_identifier_type":"PISSN"}]},"item_10002_version_type_20":{"attribute_name":"著者版フラグ","attribute_value_mlt":[{"subitem_version_resource":"http://purl.org/coar/version/c_970fb48d4fbd8a85","subitem_version_type":"VoR"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"大和, あすか","creatorNameLang":"ja"},{"creatorName":"ヤマト, アスカ","creatorNameLang":"ja-Kana"}],"nameIdentifiers":[{}]},{"creatorNames":[{"creatorName":"YAMATO, Asuka","creatorNameLang":"en"}],"nameIdentifiers":[{}]}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_date","date":[{"dateType":"Available","dateValue":"2023-03-31"}],"displaytype":"detail","filename":"kenkyuhokoku_230_10.pdf","filesize":[{"value":"4.0 MB"}],"format":"application/pdf","licensetype":"license_note","mimetype":"application/pdf","url":{"label":"kenkyuhokoku_230_10.pdf","url":"https://rekihaku.repo.nii.ac.jp/record/2821/files/kenkyuhokoku_230_10.pdf"},"version_id":"bbfad535-154d-4657-96d3-348a97aa39b4"}]},"item_keyword":{"attribute_name":"キーワード","attribute_value_mlt":[{"subitem_subject":"錦絵","subitem_subject_scheme":"Other"},{"subitem_subject":"露草","subitem_subject_scheme":"Other"},{"subitem_subject":"藍","subitem_subject_scheme":"Other"},{"subitem_subject":"プルシアンブルー","subitem_subject_scheme":"Other"},{"subitem_subject":"Nishiki-e","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"Asiatic dayflower","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"Indigo","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"Prussian blue","subitem_subject_language":"en","subitem_subject_scheme":"Other"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"[論文] 錦絵の緑・紫の混色表現における青色色材の変遷について","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"[論文] 錦絵の緑・紫の混色表現における青色色材の変遷について","subitem_title_language":"ja"},{"subitem_title":"[Article] The Change in the Blue Colorants Used in the Making of Green and Purple Colors in Nishiki-e","subitem_title_language":"en"}]},"item_type_id":"10002","owner":"3","path":["259"],"pubdate":{"attribute_name":"PubDate","attribute_value":"2023-03-31"},"publish_date":"2023-03-31","publish_status":"0","recid":"2821","relation_version_is_last":true,"title":["[論文] 錦絵の緑・紫の混色表現における青色色材の変遷について"],"weko_creator_id":"3","weko_shared_id":-1},"updated":"2023-07-26T07:39:37.996979+00:00"}