{"created":"2023-05-15T14:45:52.769577+00:00","id":741,"links":{},"metadata":{"_buckets":{"deposit":"95beb6a3-0a9f-4ab7-a40e-9ef56c8c3350"},"_deposit":{"created_by":3,"id":"741","owners":[3],"pid":{"revision_id":0,"type":"depid","value":"741"},"status":"published"},"_oai":{"id":"oai:rekihaku.repo.nii.ac.jp:00000741","sets":["21:94"]},"author_link":["2179","2180"],"control_number":"741","item_10002_biblio_info_7":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"1995-01-20","bibliographicIssueDateType":"Issued"},"bibliographicPageEnd":"370","bibliographicPageStart":"357","bibliographicVolumeNumber":"62","bibliographic_titles":[{"bibliographic_title":"国立歴史民俗博物館研究報告","bibliographic_titleLang":"ja"},{"bibliographic_title":"Bulletin of the National Museum of Japanese History","bibliographic_titleLang":"en"}]}]},"item_10002_description_19":{"attribute_name":"フォーマット","attribute_value_mlt":[{"subitem_description":"application/pdf","subitem_description_type":"Other"}]},"item_10002_description_5":{"attribute_name":"抄録","attribute_value_mlt":[{"subitem_description":"本文は『日本美術史の水脈』（平成５年・辻惟雄先生還暦記念会編・ぺりかん社発行）に掲載した同題の論文を元に，より一般の方々が理解しやすいように簡潔にしたものである。\n江戸時代，加賀藩の領域であった石川県には，金沢を中心に五十嵐道甫が作ったという蒔絵がかなり残っており、その中でも一番多いのが“秋草の文様”の作品である。\n今回は，五十嵐様式の蒔絵の中でも「秋草の文様」だけに的を絞って，「蒔絵秋月野景図硯箱」（重要文化財）を基準作品として，その編年を試みた。\n基準作品と共通点を持つ秋草文様の作品26点の技法と意匠について列挙してきたが，一口に秋草文様と言っても，秋草の種類や技法の相違など微妙な違いがあることを分かっていただけたと思う。\n五十嵐様式の蒔絵の秋草では，菊・桔梗・女郎花の技法と意匠がポイントとなる。\n秋草の種類や技法によって，おおよその制作年代を知ることができる。\nなお，個々の作品の形態・制作年代・寸法などについては一覧表，編年については編年表，秋草の表現については相関表を参照してもらいたい。","subitem_description_type":"Abstract"},{"subitem_description":"In this paper, I outline the subject based on the same titled paper inserted in “Undercurrents of the History of Japanese Fine Art” (published by Pelican Co., Ltd., in 1993, edited by the Association for the Commemoration of Professor Nobuo Tsuji's 60th Anniversary). It is directed to the easy understanding of the general readers.\nIn the Edo period, there were respectable numbers of “Makie”s which were produced by Dōho Igarashi of Ishikawa Prefecture (then the Kaga Domain). Most numerous among them were the works with “Akikusa-no-Monyō”.\nHere, I will establish a chronicle of Igarashi-style “Makie”s focusing on the works with “Akikusa-no -Monyō”, selecting his “Makie-Akizuki-Yakei-Makie-Suzuribako (“Makie” inkstone case with the design of a view of a field with an Autumn moon)”, designated as important cultural Property, taking this as a standard work.\nAs I list the techniques and designs of his 26 works which have characteristics in common with the standard work, I think that the readers will appreciate the slight differences in the selection of Autumn flowers and plants and techniques in those works, even though they are included in the works of the same “Akikusa-Monyo”.\nIn the selection of Autumn flowers and plants in the Igarashi-style “Makie”s, the techniques and designs of chrysanthemums, Chinese bell flowers and perennial plants with yellow flowers are the most important features.\nWe could roughly guess the dates of productions by considering the sort of Autumn flowers and plants and the techniques there used.\nPlease refer to the list regarding the type, date of production and proportions of each work, the table regarding the chronology of the works and the comparison table regarding the expression of Autumn flowers and plants.","subitem_description_type":"Abstract"}]},"item_10002_heading_23":{"attribute_name":"見出し","attribute_value_mlt":[{"subitem_heading_banner_headline":"共同研究「日本人の色彩感覚に関する史的研究」","subitem_heading_language":"ja"},{"subitem_heading_banner_headline":"Joint Study: Historical Study on the Sense of Color of Japanese","subitem_heading_language":"en"}]},"item_10002_identifier_registration":{"attribute_name":"ID登録","attribute_value_mlt":[{"subitem_identifier_reg_text":"10.15024/00000724","subitem_identifier_reg_type":"JaLC"}]},"item_10002_publisher_8":{"attribute_name":"出版者","attribute_value_mlt":[{"subitem_publisher":"国立歴史民俗博物館","subitem_publisher_language":"ja"}]},"item_10002_relation_17":{"attribute_name":"関連サイト","attribute_value_mlt":[{"subitem_relation_name":[{"subitem_relation_name_text":"第62集 収録論文 タイトルリスト"}],"subitem_relation_type_id":{"subitem_relation_type_id_text":"https://www.rekihaku.ac.jp/outline/publication/ronbun/ronbun3/index.html#no62","subitem_relation_type_select":"URI"}}]},"item_10002_source_id_11":{"attribute_name":"書誌レコードID","attribute_value_mlt":[{"subitem_source_identifier":"AN00377607","subitem_source_identifier_type":"NCID"}]},"item_10002_source_id_9":{"attribute_name":"ISSN","attribute_value_mlt":[{"subitem_source_identifier":"0286-7400","subitem_source_identifier_type":"PISSN"}]},"item_10002_version_type_20":{"attribute_name":"著者版フラグ","attribute_value_mlt":[{"subitem_version_resource":"http://purl.org/coar/version/c_970fb48d4fbd8a85","subitem_version_type":"VoR"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"本谷, 文雄","creatorNameLang":"ja"},{"creatorName":"モトヤ, フミオ","creatorNameLang":"ja-Kana"}],"nameIdentifiers":[{}]},{"creatorNames":[{"creatorName":"Motoya, Fumio","creatorNameLang":"en"}],"nameIdentifiers":[{}]}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_date","date":[{"dateType":"Available","dateValue":"2016-04-01"}],"displaytype":"detail","filename":"kenkyuhokoku_062_12.pdf","filesize":[{"value":"3.6 MB"}],"format":"application/pdf","licensetype":"license_note","mimetype":"application/pdf","url":{"label":"kenkyuhokoku_062_12.pdf","url":"https://rekihaku.repo.nii.ac.jp/record/741/files/kenkyuhokoku_062_12.pdf"},"version_id":"26d1282e-0d0c-4a79-a393-0bd228952867"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"江戸時代五十嵐様式の蒔絵 : 秋草文様を迫って（Ⅲ. 文化論的アプローチ）","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"江戸時代五十嵐様式の蒔絵 : 秋草文様を迫って（Ⅲ. 文化論的アプローチ）","subitem_title_language":"ja"},{"subitem_title":"“Makie (work or decorative technique used in lacquer ware, employing sprinkled gold and silver powders and filings)” of Igarashi Style in Edo Period : Tracing the “Akikusa-Monyō (autumn flowers and plants patterns)”（III. Cultural Approach）","subitem_title_language":"en"}]},"item_type_id":"10002","owner":"3","path":["94"],"pubdate":{"attribute_name":"PubDate","attribute_value":"2016-04-01"},"publish_date":"2016-04-01","publish_status":"0","recid":"741","relation_version_is_last":true,"title":["江戸時代五十嵐様式の蒔絵 : 秋草文様を迫って（Ⅲ. 文化論的アプローチ）"],"weko_creator_id":"3","weko_shared_id":-1},"updated":"2023-08-16T06:21:47.085269+00:00"}