{"created":"2023-05-15T14:46:00.068006+00:00","id":907,"links":{},"metadata":{"_buckets":{"deposit":"2ce0ef52-e727-4f01-858d-df1cf7b4cdfc"},"_deposit":{"created_by":3,"id":"907","owners":[3],"pid":{"revision_id":0,"type":"depid","value":"907"},"status":"published"},"_oai":{"id":"oai:rekihaku.repo.nii.ac.jp:00000907","sets":["21:109"]},"author_link":["2513","2514"],"control_number":"907","item_10002_biblio_info_7":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"1999-03-31","bibliographicIssueDateType":"Issued"},"bibliographicPageEnd":"202","bibliographicPageStart":"185","bibliographicVolumeNumber":"80","bibliographic_titles":[{"bibliographic_title":"国立歴史民俗博物館研究報告","bibliographic_titleLang":"ja"},{"bibliographic_title":"Bulletin of the National Museum of Japanese History","bibliographic_titleLang":"en"}]}]},"item_10002_description_19":{"attribute_name":"フォーマット","attribute_value_mlt":[{"subitem_description":"application/pdf","subitem_description_type":"Other"}]},"item_10002_description_5":{"attribute_name":"抄録","attribute_value_mlt":[{"subitem_description":"弥生時代には，イレズミと考えられる線刻のある顔を表現した黥面絵画が知られている。いくつかの様式があるが，目を取り巻く線を描いた黥面絵画Ａ，目の下の線が頰を斜めに横切るように下がった黥面絵画Ｂ，額から頰に弧状の線の束を描いた黥面絵画Ｃがおもなものである。それぞれの年代は弥生中期，中～後期，後期～古墳前期であり，型式学的な連続性から，Ａ→Ｂ→Ｃという変遷が考えられる。Ａは弥生前期の土偶にも表現されており，それは縄文時代の東日本の土偶の表現にさかのぼる。つまり，弥生時代の黥面絵画は縄文時代の土偶に起源をもつことが推測される。黥面絵画には鳥装の戦士を表現したものがある。民族学的知見を参考にすると，イレズミには戦士の仲間入りをするための通過儀礼としての役割りがあったり，種族の認識票としての意味をもつ場合もある。弥生時代のイレズミには祖先への仲間入りの印という意味が考えられ，戦士が鳥に扮するのは祖先との交信をはかるための変身ではなかろうか。畿内地方では，弥生中期末～後期にイレズミの習俗を捨てるが，そこには漢文化の影響が考えられる。その後，イレズミはこの習俗本来の持ち主である非農耕民に収斂する。社会の中にイレズミの習俗をもつものともたないものという二重構造が生まれたのであり，そうした視点でイレズミの消長を分析することは，権力による異民支配のあり方を探る手掛かりをも提示するであろう。","subitem_description_type":"Abstract"},{"subitem_description":"Based on analyses of pictorial representations of tattooing, the author intends to approach the social structure during the Yayoi Period. To this end, the author clarifies the spatial and temporal distributions of different types of the pictorial representations.\nThe Yayoi Period pictorial representations of tattooing are classified into three types : type A where eyes are surrounded by lines; type B where lines originating from the bottom line of the eyes extend diagonally to the lower cheeks; and type C where curved lines extend from the forehead to cheeks. They are commonly found in the middle Yayoi Period, middle to late Yayoi Period, and late Yayoi to early Kofun Period respectively. It is also typologically possible to trace a change from type A to type B and finally to type C. Type A is also found in clay figurines of the early Yayoi Period, which originated from clay figurines of the Jomon Period in eastern Japan.\nA subject of some Yayoi Period pictorial representations of tattooing features a soldier in bird costume. Based on general comparative analogy, tattooing was a part of rite de passage, and it symbolized the status of a soldier and also his identification with a tribe. It is thus possible to speculate that tattooing during the Yayoi Period was an indication that a young man had joined his ancestor's lineage. A soldier in a bird costume would represent his transformation in order to communicate with his ancestor.\nIn the Kinai region of west-central Japan, a practice of tattooing was abandoned toward the end of the middle Yayoi Period and in the late Yayoi Period. This was probably under the influence of Han Chinese culture. After that, the practice of tattooing was restricted to those who did not maintain agriculture for subsistence. Further analyses of tattooing will help us to a better understanding about the dual social structure of the Yayoi society where agriculturalists and hunter-gatherers coexisted.","subitem_description_type":"Abstract"}]},"item_10002_heading_23":{"attribute_name":"見出し","attribute_value_mlt":[{"subitem_heading_banner_headline":"装飾古墳の諸問題","subitem_heading_language":"ja"},{"subitem_heading_banner_headline":"Current Issues on Kofun Period Tombs with Decorated Burial Facilities","subitem_heading_language":"en"}]},"item_10002_identifier_registration":{"attribute_name":"ID登録","attribute_value_mlt":[{"subitem_identifier_reg_text":"10.15024/00000890","subitem_identifier_reg_type":"JaLC"}]},"item_10002_publisher_8":{"attribute_name":"出版者","attribute_value_mlt":[{"subitem_publisher":"国立歴史民俗博物館","subitem_publisher_language":"ja"}]},"item_10002_relation_17":{"attribute_name":"関連サイト","attribute_value_mlt":[{"subitem_relation_name":[{"subitem_relation_name_text":"第80集 収録論文 タイトルリスト"}],"subitem_relation_type_id":{"subitem_relation_type_id_text":"https://www.rekihaku.ac.jp/outline/publication/ronbun/ronbun4/index.html#no80","subitem_relation_type_select":"URI"}}]},"item_10002_source_id_11":{"attribute_name":"書誌レコードID","attribute_value_mlt":[{"subitem_source_identifier":"AN00377607","subitem_source_identifier_type":"NCID"}]},"item_10002_source_id_9":{"attribute_name":"ISSN","attribute_value_mlt":[{"subitem_source_identifier":"0286-7400","subitem_source_identifier_type":"PISSN"}]},"item_10002_version_type_20":{"attribute_name":"著者版フラグ","attribute_value_mlt":[{"subitem_version_resource":"http://purl.org/coar/version/c_970fb48d4fbd8a85","subitem_version_type":"VoR"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"設楽, 博己","creatorNameLang":"ja"},{"creatorName":"シタラ, ヒロミ","creatorNameLang":"ja-Kana"}],"nameIdentifiers":[{"nameIdentifier":"2513","nameIdentifierScheme":"WEKO"}]},{"creatorNames":[{"creatorName":"Shitara, Hiromi","creatorNameLang":"en"}],"nameIdentifiers":[{"nameIdentifier":"2514","nameIdentifierScheme":"WEKO"}]}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_date","date":[{"dateType":"Available","dateValue":"2016-04-01"}],"displaytype":"detail","filename":"kenkyuhokoku_080_06.pdf","filesize":[{"value":"2.5 MB"}],"format":"application/pdf","licensetype":"license_note","mimetype":"application/pdf","url":{"label":"kenkyuhokoku_080_06.pdf","url":"https://rekihaku.repo.nii.ac.jp/record/907/files/kenkyuhokoku_080_06.pdf"},"version_id":"2261b719-e394-4b9b-bc20-03167e84c6e0"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"黥面土偶から黥面絵画へ","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"黥面土偶から黥面絵画へ","subitem_title_language":"ja"},{"subitem_title":"From Tattooed Clay Figurines to Pictorial Representations of Tattooing","subitem_title_language":"en"}]},"item_type_id":"10002","owner":"3","path":["109"],"pubdate":{"attribute_name":"PubDate","attribute_value":"2016-04-01"},"publish_date":"2016-04-01","publish_status":"0","recid":"907","relation_version_is_last":true,"title":["黥面土偶から黥面絵画へ"],"weko_creator_id":"3","weko_shared_id":-1},"updated":"2023-08-28T04:34:50.206746+00:00"}