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  1. 国立歴史民俗博物館研究報告 (冊子版 : ISSN 0286-7400 オンライン : ISSN 2759-453X)
  2. 第34集

折口信夫のフィールド・ワーク : 「古典」と「生活の古典」を結ぶもの

https://doi.org/10.15024/00000484
https://doi.org/10.15024/00000484
1c843e52-a1d1-492d-9fdd-7b38fafc4630
名前 / ファイル ライセンス アクション
kenkyuhokoku_034_04.pdf kenkyuhokoku_034_04.pdf (963.5 kB)
Item type 紀要論文 / Departmental Bulletin Paper(1)
公開日 2016-04-01
タイトル
タイトル 折口信夫のフィールド・ワーク : 「古典」と「生活の古典」を結ぶもの
言語 ja
タイトル
タイトル Field Works for Shinobu Orikuchi : Attempts to Connect “Classical Literature” with “Classical Literature in Modern Life”
言語 en
言語
言語 jpn
資源タイプ
資源タイプ識別子 http://purl.org/coar/resource_type/c_6501
資源タイプ departmental bulletin paper
ID登録
ID登録 10.15024/00000484
ID登録タイプ JaLC
著者 上野, 誠

× 上野, 誠

ja 上野, 誠

ja-Kana ウエノ, マコト

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Ueno, Makoto

× Ueno, Makoto

en Ueno, Makoto

Search repository
抄録
内容記述タイプ Abstract
内容記述 This thesis describes field work by Shinobu Orikuchi, who, together with Kunio Yanagita, led the folkloric studies at their embryonic stage in Japan.
Shinobu Orikuchi, 1887-1953, was a renowned writer, a scholar of classical literature as well as a folklorist. Unlike Kunio Yanagita who concentrated on folkloric studies and did not publish may literary works of his own, Orikuchi remained as a writer, a scholar of classical literature as well as a folklorist with his concern equally divided among the three roles. This thesis tries to make clear the relationship between Orikuchi's position with multiple roles and his field work. Orikuchi tried to make his observation of the modern folkloric practices in the context of “classical logic” extracted from his knowledge of “classical literature” and perceive “classicality” of the people. For example, in his observation of Oni performance in the folkloric performing arts called “Hana-matsuri” in Toyone-mura or Toh-ei-cho, Kita-shidaragun, Aichi prefecture, he perceived it to have originated in the performance by “Yamabito” for blessing the arrival of spring. Orikuchi came to this conclusion through his studies of “classical literature”, without the knowledge of which it is impossible for anyone to conclude that the Oni performance originates in Yamabito blessing performance. The field work of this sort made by Orikuchi in relation with studies of classical literature signifies reconfirmation of “classical literature” through “folkloric practices”. Therefore, Orikuchi's field observation can be considered as on having a characteristic of looking at “folkloric practices” in the light of “classical literature”. Being based on this kind of field observation by Orikuchi, it is easy to understand why Orikuchi defind “folkloric practices” as “classical literature in modern life”. Field works meant for Orikuchi works of connecting “classical literature” with “classical literature in modern life”.
書誌情報 ja : 国立歴史民俗博物館研究報告
en : Bulletin of the National Museum of Japanese History

巻 34, p. 69-85, 発行日 1991-03-30
出版者
出版者 国立歴史民俗博物館
言語 ja
ISSN
収録物識別子タイプ PISSN
収録物識別子 0286-7400
書誌レコードID
収録物識別子タイプ NCID
収録物識別子 AN00377607
関連サイト
識別子タイプ URI
関連識別子 https://www.rekihaku.ac.jp/outline/publication/ronbun/ronbun2/index.html#no34
関連名称 第34集 収録論文 タイトルリスト
フォーマット
内容記述タイプ Other
内容記述 application/pdf
出版タイプ
出版タイプ VoR
出版タイプResource http://purl.org/coar/version/c_970fb48d4fbd8a85
見出し
大見出し 共同研究「民俗誌の記述についての基礎的研究」中間報告
言語 ja
見出し
大見出し Joint Study on Methodological Issues on Ethnography in Japanese Folklore Studies, Preliminary Report
言語 en
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